Documents of Latin American and Latino Art

In this theoretical essay written for the magazine Revista Pan, the Colombian photographer Luis B. Ramos rates “Beauty” as the only goal worth pursuing in life. In his opinion, that pursuit should be unfettered by any particular technique, though [...]

In 1956, the art critic José Pedro Argul published a text written the year before for the faculty at the Colegio Sagrada Familia. In it, he outlined his ideas on visual art, his studies, and his philosophy. It reviewed the concept of “beauty,” [...]

As an introduction of the exhibition on arte destructivo [Destructive Art], Aldo Pellegrini wrote about the meaning of destruction, a mechanism associated with construction, just as it is perceived through observable changes in nature. Destruction, [...]

After defining aesthetics as “the study of the causes of beauty” and beauty as a synonym of perfection, Colombian priest and critic Juan Crisóstomo García explains his conception of art. “Beautiful” art is an ideal since the existence of [...]

In this text, the lawyer and humanist Felix Betancourt submits one of the earliest philosophical reflections on aesthetic matters ever to be expressed in Antioquia. Betancourt claims that “perfect and ultimate beauty” arises from things and from [...]