Topic Descriptor: exhibitions (events)×
  • ¡Pare de sufrir! decálogo de autoayuda para espectadores intimidados por las exposiciones de arte
    Ospina, Lucas, 1971-
    2008
    The text “¡Pare de sufrir!: Decálogo de autoayuda para espectadores intimidados por las exposiciones de arte,” written by artist and critic Lucas Ospina was initially published on the website http://esferapublica.org on July 15, 2007. It was [...]
    ICAA Record ID: 1129782

  • ¡Que viva Manrique! : exposición semanal
    1996
    The article “¡Que viva Manrique!” [Hooray for Manrique!], written by the editorial team at the Bogotá newspaper El Espectador and published on April 16, 1996, referred to Pedro Manrique Figueroa. Precursor del Collage en Colombia [Pedro [...]
    ICAA Record ID: 1185084

  • ¡Tamayo es un hipócrita! : dice Siqueiros en una entrevista exclusiva para Hoy sobre la Bienal
    Mendoza, María Luisa
    1958
    In this interview, David Alfaro Siqueiros expressed his views on the Biennial. He began by critiquing the paintings exhibited by the United States, and warned Latin American painters against imitating hybrid ideas that made no sense, such as Tachisme [...]
    ICAA Record ID: 768083

  • ¿Arte joven?
    Serrano, Eduardo, 1939-
    1972
    The text, “¿Arte joven?” [Young Art?] by art critic Eduardo Serrano Rueda introduces the exhibition Nombres nuevos en el arte de Colombia [New Names in Colombian Art] held at the Museo de Arte Moderno [Museum of Modern Art] in Bogotá in March [...]
    ICAA Record ID: 855747

  • ¿Artistas provocadores y delatores? : Los efectos de la intromisión corruptora del departamento de Estado Yanqui en la vida artística de nuestro país
    1954
    The exhibition at Perls Gallery in Beverly Hills, Los Angeles, presented Rufino Tamayo as one of the four great Mexican artists. His works were part of the great modernism and, unlike those of his colleagues, no Communist symbols could be found in [...]
    ICAA Record ID: 785817

  • ¿Cómo respondieron los públicos de Europa?
    Gamboa, Fernando
    1952
    This interview consists of fourteen questions regarding the reception that the Mexican art exhibition experienced from the Parisian public. Fernando Gamboa believed that the event was a great opportunity for the Mexican people, and also was a great [...]
    ICAA Record ID: 779913

  • ¿Es representativo el Salón Nacional?
    Rubiano Caballero, Germán, 1938-
    1972
    This article expresses the official point of view on the controversy that was sparked by the decision to award no prizes at the XXIII Salón de Artistas Nacionales [XXIII National Artists’ Salon] (1972). The article is written by Germán Rubiano, [...]
    ICAA Record ID: 1076626

  • ¿Exposición de arte español contemporáneo? : un manifiesto de artistas argentinos
    Berni, Antonio, 1905-1981
    1947
    In response to the absence of artists, such as Pablo Picasso and Juan Gris at the Contemporary Spanish Art Exhibition shown at the Museo Nacional de Bellas Artes in December 1947, the Argentinian artists expressed their disagreement by signing a [...]
    ICAA Record ID: 730388

  • ¿Quién sabiendo cantar no ha cantado la Rosa?
    Benko, Susana
    1982
    In this essay, which appeared in the catalogue for Veinte disecciones (Caracas: Museo de Bellas Artes, 1982), the exhibition of works by Roberto Obregón, the researcher Susana Benko reflects on cultural symbols, conventions, and codes and the [...]
    ICAA Record ID: 1080932

  • ¿Un arte religioso? : Manolo Vellojín en la Galería Garcés Velásquez Bogotá
    Cobo Borda, Juan Gustavo, 1948-
    1978
    With this text, Colombian poet and essayist Juan Gustavo Cobo Borda introduces the exhibition of works by painter Manolo Vellojín held at Galería Garcés Velásquez in Bogotá in 1978. In Cobo Borda’s view, Holy Week (a Spanish religious [...]
    ICAA Record ID: 1134355

  • "7 pintores argentinos"
    Rinaldini, Julio
    1935
    Julio Rinaldini criticizes the leaflet with the manifesto of the Seven Artists (Antonio Berni, Lino Enea Spilimbergo, Horacio Butler, Ramón Goméz Cornet, Héctor Basaldúa, Aquiles Badi, and Emilio Pettoruti) who participated in the exhibition at [...]
    ICAA Record ID: 733926

  • "Califas" : Chicano art and culture in California : excerpts from planning grant submitted to the N.E.H.
    Carrillo, Eduardo
    1981
    This document contains excerpts from a grant proposal submitted by Eduardo Carrillo to the National Endowment for the Humanities seeking traveling support for an exhibition of California Chicano art entitled Califas, Chicano Art and Culture in [...]
    ICAA Record ID: 847475

  • "Casas/Houses"
    Torruella Leval, Susana
    1992
    On the occasion of the exhibition La casa de todos nosotros: Antonio Martorell y sus amigos [A House for Us All: Antonio Martorell and Friends] held at El Museo del Barrio in 1992, Puerto Rican curator Susana Torruella Leval analyzes Antonio [...]
    ICAA Record ID: 866589

  • "Exposición de arte destructivo” o una copa de oxígeno
    Molina, Enrique
    1961
    The poet, Enrique Molina wrote a literary essay on the exhibition on Arte Destructivo [Destructive Art] in which he states that its power is in the unveiling of what is hidden and prohibited. Observed with Surrealism in mind and the imprint of [...]
    ICAA Record ID: 741894

  • "Introducción", Salón de Artistas Jóvenes : Patrocinado por la Unión Panamericana y Esso = "Introduction" Salon of Young Artists: Sponsored by Pan American Union and Esso.
    Gómez Sicre, José
    1965
    This is the introduction to the catalogue for the Salón de Artistas Jóvenes Latinoamericanos [Young Latin American Artists Salon]—held at the Pan-American Union in Washington, DC in 1965. It was written by José Gómez Sicre, director of the [...]
    ICAA Record ID: 1091951

  • "La esperanza del loro verde" en el trópico tabasqueño
    Soto, Leandro, 1956-
    1992
    Leandro Soto Ortiz interprets the sculptural works of fellow artist Raoul Deal that were featured in the exhibition La Esperanza del Loro Verde. Soto Ortiz positions Deal’s work within a Postmodernist current, contextualizing it at the core of [...]
    ICAA Record ID: 840722

  • "La importancia de nuestra generacíon es haber puesto al día al Perú artístico"
    1955
    This is an anonymous interview with Fernando de Szyszlo on his successful presentation at the III Salón Moncloa in Lima in 1955. The artist stated that it was the first artistic competition in which he had participated since 1951 due to his distrust [...]
    ICAA Record ID: 1137778

  • "Nada está flotando..."
    Gutiérrez, Natalia, 1954-
    2009
    In this essay, which is the introduction to the book Ciudad–Espejo [City–Mirror] (2009), the Colombian critic Natalia Gutiérrez bases her review of Colombian contemporary art on the works presented at the 39 Salón Nacional de Artistas [39th [...]
    ICAA Record ID: 1099231

  • "Omelette" a la Guillermo Marín : en la Galería Carlos Alberto González
    Pignalosa, Maria Cristina
    2001
    The synopsis and the annotations in English are coming soon.                                However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1100804

  • "Quiero que me vean con los ojos, no con los codos" : Eugenio Espinoza en la orla del arte
    Wisotzki, Rubén
    1992
    In this interview, the journalist Rubén Wisotzki asks Eugenio Espinoza about Orla, the exhibition presented at the Museo de Arte Contemporáneo Sofía Imber in Caracas, in 1993. The Venezuelan artist believes that the exhibition was a moment for [...]
    ICAA Record ID: 866278

  • "Reticulárea" de Gego
    Guevara, Roberto, 1932-1998
    1969
    Roberto Guevara reviewed Gego’s Reticulárea (1969) when it was first installed at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas. He mentions the artist’s use of space within the Reticulárea, which acquires a new environmental [...]
    ICAA Record ID: 1149318

  • "Testimonios" de un nuevo arte colombiano
    Erminy, Perán
    1967
    The art critic Perán Erminy reviews and analyzes the exhibition Testimonios organized by El Techo de la Ballena in the context of an international meeting of this group. In this text, Erminy points out what he finds interesting in this exhibition: [...]
    ICAA Record ID: 1168332

  • "Un mes de desahogos pasionales" : llama B. Salcedo su exposición
    1968
    By way of a brief interview, this text announces the opening of Bernardo Salcedo’s exhibition, Un mes de desahogos pasionales, at UD gallery in Parque de la Independencia in Bogotá. It explains that once the show is over, the works in it will [...]
    ICAA Record ID: 864509

  • “Mi pintura intenta expresar la vida del indio” : nos declaró ayer a su llegada de Cajamarca el artista Mario Urteaga
    1955
    The synopsis and the annotations in English are coming soon. However, our bilingual readers can click on “Español” to access this information in Spanish [...]
    ICAA Record ID: 1144025

  • “No se debe esperar a que llegue la inspiración” : Alicia Tafur prepara su exposición
    1963
    This is an article written by the editorial staff at the weekly Magazine Dominical about the life and work of Alicia Tafur, the Colombian artist. It was written on the occasion of the “first large exhibition for Bogotá” at the Banco de la Repú [...]
    ICAA Record ID: 1133397

  • (Áudio-visuais)
    Morais, Frederico, 1936-
    1973
    According to Frederico Morais, the emergence of audiovisual work in several exhibition halls was linked to the introduction of the “object” category that freed up other more traditional categories. In his opinion, “the object” implied a [...]
    ICAA Record ID: 1110792

  • [A arte preside o destino da humanidade]
    Leite, Barboza
    1949
    In this article, Barboza Leite identifies the artists who contributed to the founding of the SCAP (Sociedade Cearense de Artes Plásticas) from 1941 to 1949, when the association was launched. He provides a detailed description of the endemic [...]
    ICAA Record ID: 1110786

  • [A idéia da G-4]
    Gerchman, Rubens, 1942-2008
    1978
    The artist Rubens Gerchman discusses Pare, the exhibition he jointly presented with Roberto Magalhães, Antonio Dias, Carlos Vergara, and Pedro Escosteguy at the G-4 gallery in Rio de Janeiro in April 1966. Gerchman explains that the exhibition [...]
    ICAA Record ID: 1110583

  • [A principios del presente decenio, en la ciudad de La Plata, un grupo de pintores...]
    López Anaya, Jorge
    1966
    Jorge López Anaya writes about the rapid emergence of Grupo Sí [Yes Group] in the city of La Plata. He analyzes the use of chromatic saturation as a trait typical of the group’s artists. The critic states that the chromatic geometry represents, [...]
    ICAA Record ID: 763674

  • [Alfredo Londaibere invita]
    Lodaitzbehere, Alfredo
    1991
    Invitation to Alfredo Londaibere’s exhibition (Buenos Aires: Centro Cultural Ricardo Rojas, June, 1991 [...]
    ICAA Record ID: 769200

  • [As mudanças políticas e economicas e as conseqüentes...]
    Mesquita, Ivo
    1995
    According to Ivo Mesquita, it is due to political-economic changes and social crises in Brazil—the results of a colonial project—that the country is influenced by the non-optimistic perspectives that have taken hold in the rest of the world with [...]
    ICAA Record ID: 1111266

  • [Carta dirigida al espectador]
    Noé, Luis Felipe
    1965
    Luis Felipe Noé writes a letter directed to the viewer containing ironic commentary on exhibition catalogs. He supports art as a permanent adventure in revelation and man as the instrument of new quests. Noé proposes “chaos”as the only truth of [...]
    ICAA Record ID: 740597

  • [Chicago Latino]
    Sorell, V. A. (Victor A.)
    1992
    This exhibition catalog, Chicago Latino, was part of an intercultural dialogue initiated by two “socially-minded arts groups,” the 369 Gallery of Edinburgh, Scotland, and the Near Northwest Arts Council of Chicago, Illinois. The exhibition [...]
    ICAA Record ID: 1056360

  • [Ciudadano: el uso de esta máscara...]
    Pazos, Luis; Puppo, Héctor; Luján Gutiérrez, Jorge de
    1971
    A collection of images from the happening called “Cementerio” [Cemetery], which was staged as part of the Arte de Sistemas [Systems Art] exhibition (Buenos Aires: Museo de Arte Moderno, July 1971). The work consisted of a cluster of crosses, each [...]
    ICAA Record ID: 745784

  • [Colo emerges from a tradition that emphasizes and inventing of art more than a making of art]
    Ingberman, Jeanette, 1952-2011
    1986
    This essay by curator Jeannette Ingberman analyzes ten years of work by Papo Colo in painting, sculpture, drawing, and performance. According to the author, Colo’s work explores the metaphysical and the spiritual, incorporating organic forms and [...]
    ICAA Record ID: 849870

  • [Con "Experiencias 1968" y...]
    Romero Brest, Jorge
    1968
    Jorge Romero Brest points out that in the Experiencias 1968 [1968 Practices], young artists tried to raise the problem of creation in terms that were almost extreme, presenting crucial situations that depart from traditional “artwork” only by a [...]
    ICAA Record ID: 759903

  • [Creo plenamente en la figuración…]
    Obregón, Roberto
    1967
    In this brief text that appeared in the catalogue of Roberto Obregón’s second solo exhibition held in Caracas at Galería XX2 (1967), the artist presents a creed-like manner in expressing his convictions about art and life, and also commenting on [...]
    ICAA Record ID: 1063124

  • [Cuando Lizardo regresó graduado de la Saint Martin's School of Arts de Londres...]
    Stein, Axel
    1991
    The curator Axel Stein introduces the exhibition of works by Luis Lizardo at the Centro de Arte Euroamericano (Caracas, 1991). In his essay Stein talks about the artist’s early days, when he was just getting started, interspersing his own formal [...]
    ICAA Record ID: 1164679

  • [Cuando Picabia escibía sobre un cuadro...]
    Rodríguez Saavedra, Carlos
    1969
    This brief introductory text by Carlos Rodríguez Saavedra was written for the official catalogue of the painting competition organized by the Festivales de Ancón, then an elegant resort on the outskirts of Lima. In a lyrical tone, the author [...]
    ICAA Record ID: 1142381

  • [Cuando un artista pertenece a un grupo]
    Romero Brest, Jorge
    1967
    Jorge Romero-Brest presents Horacio García-Rossi’s exhibition (Galería Rubbers, Buenos Aires, May, 1967), highlighting the fact that he belongs to GRAV (the Paris-based Group of Research on Experimental Visual Arts), though emphasizing the fact [...]
    ICAA Record ID: 763325

  • [de aquellos "totemes contemporáneos"...]
    Briceño, Pedro
    1966
    In his text, Pedro Briceño describes how the work of another Venezuelan sculptor, Pedro Barreto, has evolved from his early work (“totems”) of tropical and chain-like forms, to his new work. The latter is characterized by a greater preoccupation [...]
    ICAA Record ID: 1162647

  • [Dedico esta estrofa del poema Elevation de Les Fleurs du Mal...]
    Rodríguez, Bélgica, 1941-
    1979
    Researcher and historian Bélgica Rodríguez analyzes the work of Hugo Baptista in a biographical text with quotations made by the painter; beginning with the artist’s move to Caracas in 1951 so that he could enroll in Vicente Emilio Sojo’s [...]
    ICAA Record ID: 1169482

  • [Desde el cubismo y futurismo hasta madi...]
    Bay, Juan
    1953
    While introducing the work of Gyula Kosice, the author refers to movements that sought to create an independent object instead of imitating or deforming one. Juan Bay identifies the difference between the works produced by members of certain [...]
    ICAA Record ID: 743077

  • [Discurso de inauguración de la Exposición de Bellas Artes en la Celebración del Centenario]
    Marroquín Osorio, José Manuel, 1874-
    1911
    This document reproduces the speech given by priest and historian José Manuel Marroquín Osorio at the opening of the exhibition of fine arts on the occasion of the celebration of the centennial of Colombian independence—Celebración del Primer [...]
    ICAA Record ID: 1093433

  • [Dois aspectos contrastantes se encontram nos trabalhos de Paulo Pasta]
    Mammì, Lorenzo
    1989
    This text is an introduction to an exhibition of work by the painter Paulo Pasta at the Museu de Arte Contemporânea da Universidade de São Paulo (MAC-USP), written by the art critic Lorenzo Mammì. The writer emphasizes Pasta’s pictorial [...]
    ICAA Record ID: 1111264

  • [El dibujo y el grabado han contando en el arte colombiano...]
    Serrano, Eduardo, 1939-
    1976
    The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. This art critic emphasizes the acceptance of the drawing and the print [...]
    ICAA Record ID: 1099111

  • [El Grupo de artistas modernos de la Argentina, recientemente constituído...]
    1953
    This article reviews the first exhibition of the Grupo de Artistas Modernos [Modern Artists Group] of Argentina, presented at Galería Viau and featuring works by independent artists Sarah Grilo, Hans Aebi, Miguel Ocampo, and Fernández Muro, as well [...]
    ICAA Record ID: 742369

  • [El hecho de presentarnos en un grupo limitado...]
    Badi, Aquiles, 1894-1976
    1935
    In this brief text, the subscribing artists (participants in the exhibition 7 pintores argentinos [Seven Argentinean Painters] in August 1935) maintain that they do not support any specific pictorial trend; they have however conflicting ideologies. [...]
    ICAA Record ID: 733845

  • [EL jueves 17 de junio a las 18, se inaugurará una exposición de los pintores modernos...]
    1926
    Invitation to the Exposición de Pintores Modernos [Modern Painters Exhibition], which took place at Amigos del Arte [Friends of Art] (Buenos Aires, June, 1926), and included the following artists: Emilio Pettoruti, Norah Borges, Xul Solar, and Piero [...]
    ICAA Record ID: 732226

  • [El Museo de la Solidaridad debía funcionar]
    Traba, Marta
    1976
    In the introduction to the exhibition Solidaridad held at the Museo de Arte Moderno of Bogota, Colombia, in 1976, Argentine critic Marta Traba—who lived in Puerto Rico for many years—explains that the Museo de la Solidaridad Salvador Allende was [...]
    ICAA Record ID: 863462