Topic Descriptor: semiotics×
  • [El fenómeno estético, como cualquier otro fenómeno cultural...]
    Rosa, Nicolás
    1968
    [Literary critic and intellectual] Nicolás Rosa presented this text for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Encounter of Avant-garde Art] (Rosario, Argentina, 1968). It appeals to the communications [...]
    ICAA Record ID: 760282

  • A imagem pré-fotográfica, fotográfica, pós-fotográfica
    Santaella, Lucia
    1994
    In this text, researcher Lucia Santaella formulates a study that identifies and examines the changes in paradigm for the production, storage, exhibition, and reception of the image in different registers of the human psyche. She associates the [...]
    ICAA Record ID: 1110929

  • Arte e interatividade: autor-obra-recepção
    Plaza, Julio
    2000
    This essay analyzes the main concepts and theoretical interfaces in the history of modern and contemporary art; it explains the connections between author, work, and recipient, and helps the reader to understand interactive art. According to the [...]
    ICAA Record ID: 1111093

  • CAyC : Escuela de Altos Estudios : Seminarios Agosto-Septiembre - (GT-434)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1974
    This is a list of the seminars presented by CAyC’s Escuela de Altos Estudios [School of Higher Education] in August and September 1973, and of the names of the presenters [...]
    ICAA Record ID: 747514

  • CAyC: Seminario sobre significado y comunicación social (GT32)
    Centro de Arte y Comunicación (Buenos Aires, Argentina)
    1971
    The text announces an “introduction to semiologic research” seminar will take place for the post-graduate level, directed by Professor Armando Sercovich, organized by the Centro de Arte y Comunicación (CAyC). Its objective is to “familiarize [...]
    ICAA Record ID: 743659

  • El arte de liberación y la praxis de la muerte
    Escobar, Elizam, 1948-
    1988
    Puerto Rican artist Elizam Escobar applies semiotic and Marxist theories to analyze social value in art occurring in an historical era that proclaims itself both postmodern and postcolonial. He observes that such discourse renders people oppressed by [...]
    ICAA Record ID: 802830

  • Entrada al cuerpo del cuerpo
    Flores, Elsa
    1985
    In this essay about the Venezuelan communicator, dramatist, and performance artist Marco Antonio Ettedgui, Elsa Flores discusses his work as a body artist. Flores explains that, in Ettedgui’s events, the act of communicating and educating is just [...]
    ICAA Record ID: 1152721

  • Hipermídia : o labirinto como metáfora
    Machado, Arlindo
    1997
    In this essay, Arlindo Machado analyses the idea of technological “interactivity.” Quoting the art critic Raymond Williams, Machado states that it cannot be understood as a simple reaction, as a choice of options. He claims that it also implies [...]
    ICAA Record ID: 1111111

  • Iconografia de massa
    Barata, Mário
    1968
    The exhibition Iconografia de Massa, held at the Escola Superior de Desenho Industrial (ESDI) in Rio de Janeiro (1968), was introduced by art critic Mário Barata. Using the theories of Edgar Morin as his starting point, Barata defends the idea that [...]
    ICAA Record ID: 1111087

  • O quarto iconoclasmo
    Machado, Arlindo
    2001
    This text by Arlindo Machado addresses iconoclasm, that is, aversion to the image. Some cultures over the course of history—among them Judaism, Christianity, Islam, and Greek and Reformation thought—have nourished mistrust, and even rejection, of [...]
    ICAA Record ID: 1111323

  • Poesia visual : reciclagem e inovação
    Menezes, Philadelpho, 1960-
    1996
    In this essay, the Brazilian poet Philadelpho Menezes pinpoints the origins of visual poetry, coining an expression to classify its forms, “intersign poetry.” He observes that visual poetry is not a synonym for “Concrete poetry,” even if that [...]
    ICAA Record ID: 1111132

  • Rumo à imagem sintética
    Machado, Arlindo
    1986
    In this article, the author claims that the emergence of video art prompted a reversal of figurative expectations in the field of technical images. Heavily influenced by a Renaissance approach to visual expression (based on a monocular geometric [...]
    ICAA Record ID: 1111102

  • The art liberation and the praxis of death
    Escobar, Elizam, 1948-
    1988
    Puerto Rican artist Elizam Escobar applies semiotic and Marxist theories to analyze social value in art occurring in an historical era that proclaims itself both postmodern and postcolonial. He observes that such discourse renders people oppressed by [...]
    ICAA Record ID: 802815

  • Transcriar
    1985
    In this text, Julio Plaza discusses inter-semiotic translation, that is, the decodification effected in the passage from one art form to another. He draws a difference between that translation and an idea of artistic appearance, and upholds the [...]
    ICAA Record ID: 1111237