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The Imagination as Dialogue in the Paintings of Arnaldo Roche
1998Ricardo Pau-Llosa analyzes Arnaldo Roche[-Rabell]’s paintings by arguing that his works both represent unique identities and evoke a process of identification in the viewer that occurs at an existential level. Roche achieves this by upending [...]ICAA Record ID: 840440 -
Nota en Panorama
1969In this short article, the Puerto Rican artist Roberto Alberty, also known as “el Bochio,” explains that he currently uses frottages [rubbings], collages, and photomontages in his work, adding that he uses cigarette ash to create the frottages. [...]ICAA Record ID: 823619