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[Letter] 1968 Junio 18, Castelar [to] Robert Perraud, Consejero Cultural de la Embajada de Francia
1968The first artist to condemn the modification to the rules of the 1968 Premio Braque (promoted by the French embassy in Argentina) was Margarita Paksa. She sent a letter to the organizers, dated June 18, in which she, besides resigning her [...]ICAA Record ID: 756318 -
[Letter] 1968 Junio 4, Buenos Aires [to] Graciela Carnevale
1968This letter of invitation to Rosario artist Graciela Carnevale from the French embassy’s office of Culture and Cooperation in Argentina, touched off a chain reaction from various vanguard artists, both from Buenos Aires and Rosario. They were [...]ICAA Record ID: 766335 -
[Letter] 1968 marzo 15, Castelar [to] Leopoldo [Maler]
1968León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the staging, the visual elements, the [...]ICAA Record ID: 749148 -
[Letter] 1968 Mayo 13, Buenos Aires [to] Jorge Romero Brest
1968Pablo Suarez’s letter is defined as a work of art. It is, at the same time, a quit of his participation in the exhibition, which he handed out to the attending public at the Experiencias 1968 [The 1968 Visual Practices]. The author starts by [...]ICAA Record ID: 756351 -
[Letter] 1968 Mayo 23, Buenos Aires [to] Secretario de Redacción de La Nación
1968In his role as director of the Instituto Torcuato Di Tella [Torcuato Di Tella Institute], Enrique Oteiza thanks the editorial secretary of La Nación [The Nation] newspaper of Buenos Aires for the speed with which it reported the police proceeding [...]ICAA Record ID: 759918 -
[Letter] 1968 Mayo 23, Buenos Aires [to] Secretario de Redacción de La Prensa
1968This document is a letter written by Enrique Oteiza, director of the Instituto Torcuato Di Tella, to the Editorial Secretary of the newspaper La Prensa [The Press Oteiza thanks the paper for the prompt reports on the police proceedings that [...]ICAA Record ID: 759932 -
[Letter] 1968 Mayo 25, Castelar [to] Leopoldo Maler
1968León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the economic situation and the student [...]ICAA Record ID: 749150 -
[Letter] 1968 Noviembre 18, Castelar [to] Leopoldo [Maler]
1968León Ferrari writes to Leopoldo Maler about Palabras ajenas [Other People’s Words], to discuss the staging of the London production and to critique European culture. He talks about the presentation of Tucumán Arde at the Rosario and Buenos Aires [...]ICAA Record ID: 749152 -
[Letter] 1968 Octubre 18, Rosario [to] Benito Romano Delegado Regional de la C.G.T. Regional Tucumán
1968This letter, signed by the regional secretary of the CGT (Confederación General del Trabajo) in Rosario and addressed to Tucumán’s CGT regional delegate, informs us about the existing tight bonds and mutual support between artists and labor-union [...]ICAA Record ID: 760144 -
[Letter] 1968 Octubre 2, Londres [to] León [Ferrari]
1968Leopoldo Maler, the artist, writes about the London stage production of Palabras ajenas [Other People’s Words], which will use BBC radio announcers; Maler was working at the BBC at the time, and mentions that the stage version will be presented at [...]ICAA Record ID: 744047 -
[Letter] 1968 Octubre 7, Castelar, Argentina [to] Leopoldo [Maler]
1968León Ferrari writes to Leopoldo Maler about the London stage production of his book, Palabras ajenas [Other People’s Words]. He agrees to the new title of the English version, Listen Here Now, while proposing that it include the word “Vietnam [...]ICAA Record ID: 749162 -
[Letter] 1968, Octubre 14, Aguilares, Argentina [to] Obispo de la ciudad de Concepción, Monseñor Juan Carlos Ferro
1968This is a letter written by Raúl Miguel Sánchez, secretary general of the union representing the factory and field workers of the Aguilares Sugar Refinery in Tucumán, Argentina, addressed to the Bishop of Concepción, denouncing the destruction of [...]ICAA Record ID: 750392 -
[Letter] 1969 April 22, New York [to] Gyorgy Kepes
1969Hans Haacke’s letter shows that he pondered the invitation sent by Gyorgy Kepes and decided not to represent the United States abroad for a pair of reasons: because Americans were supporting an immoral war in Vietnam and a fascist government was [...]ICAA Record ID: 774427 -
[Letter] 1969 Janvier 17, New York [to] Pierre Restany
1969The letter from [Greek artist] Takis tells Pierre Restany that he has not represented Greece at any international cultural event since Greece’s democracy was suspended. Takis thanks Restany for the invitation and hopes he understands the situation [...]ICAA Record ID: 774652 -
[Letter] 1969 Junio 2, París [to] Francis de Lulle
1969Pol Bury’s letter states his decision to withdraw his participation from the 1969 São Paulo Biennial due to the fact that several Brazilian artists had informed him that another biennial, held in Bahia, was compelled to close and that paintings [...]ICAA Record ID: 774230 -
[Letter] 1969 September 17, Granada Hills, CA [to] Gego
1969This is a personal letter written to the Venezuelan artist originally from Germany, Gego (Gertrud Goldschmidt, 1912–1994), from her friend, Ruth Weddle. Weddle was an editor who was Gego’s classmate at the Tamarind Lithography Workshop in San [...]ICAA Record ID: 1150101 -
[Letter] 1969, São Paulo, Brazil [to] Rubens Gerchman
1969The synopsis in English are coming soon [...]ICAA Record ID: 1111055 -
[Letter] 1970 January 28, México, D.F. [to] Lorenzo Homar
1970Mexican artist Alberto Beltrán thanks Lorenzo Homar for his time and attention during his visit to Puerto Rico. He tells Homar that artists Ángel Bracho and Jesús Álvarez Amaya, from the Taller de Gráfica Popular (TGP), have sent works to Puerto [...]ICAA Record ID: 861884 -
[Letter] 1970 May 15, México D.F [to] Lorenzo Homar
1970In this letter, Mexican artist Albero Beltrán (1923–2002) informs Puerto Rican artist Lorenzo Homar that the course in poster design that Polish designer Wiktor Gorka was offering at the Academia de San Carlos (Mexico City) would continue until [...]ICAA Record ID: 825593 -
[Letter] 1971 VI 22, Santiago, [Chile to] Ernesto [Deira]
1971The art critic sent this letter to Ernesto Deira informing him about the Instituto de Arte Latinoamericano [Latin American Art Institute], which includes the Museo Latinoamericano [Latin American Museum], for which he requests the collaboration of [...]ICAA Record ID: 745056 -
[Letter] 1972 Julio 11, Minturno [to] Libero Badii
1972Aldo Paparella writes to L'bero Badii about his father's family's house in Minturno in Italy. Paparella makes comments about art and consumerist society [...]ICAA Record ID: 754646 -
[Letter] 1972 Abril 25, Miramar, Puerto Rico [to] Luis Camnitzer
1972In this letter artist Lorenzo Homar replies to his colleague, Uruguayan professor Luis Camnitzer, who had suggested that some of the artists who planned to participate in the III Bienal de San Juan del Grabado Latinoamericano [3rd San Juan Biennial [...]ICAA Record ID: 856495 -
[Letter] 1972 Agosto 1, Minturno [to] Libero [Badii]
1972Aldo Paparella writes to Libero Badii about formal aspects like color use, as well as comments about Western civilization. He mentions his trips both to Rome and to Formio and offers opinions about the valuation of the drawing [...]ICAA Record ID: 754176 -
[Letter] 1972 December 6, Cali, Colombia [to] Lorenzo Homar
1972Colombian artist Pedro Alcántara thanks his Puerto Rican colleague Lorenzo Homar for a number of gifts brought to him by Ramiro Pazmiño. One of the first things that Alcántara mentions in this letter is a problem at the Encuentro de La Habana [ [...]ICAA Record ID: 823939 -
[Letter] 1972 Enero 10, Buenos Aires [to] Horacio I. Carballal
1972In this letter Alberto Heredia declines the prize awarded him by the jury of the Certamen Nacional de Investigaciones Visuales [The National Visual Arts Resarch Competition] (Buenos Aires, Argentina). He bases his rebuttal on the discrimination [...]ICAA Record ID: 772297 -
[Letter] 1972 Enero 8, Miramar, Puerto Rico [to] Andrew Viglucci, editor of The San Juan Star
1972In this letter to the editor of The San Juan Star newspaper, Lorenzo Homar comes to the defense of art critic Ernesto Ruiz de la Mata in the wake of the article written by the artist Rafael Rivera García, who said that Ruiz de la Mata’s columns [...]ICAA Record ID: 863708 -
[Letter] 1972 Febrero 25, San Juan, Puerto Rico [to] periódico Claridad
1972In this letter sent to the Puerto Rican Socialist Party’s newspaper Claridad, printmaker Lorenzo Homar replies to an article by Puerto Rican writer Edwin Reyes. Homar attacks the position taken by Reyes—and by “Santitos,” a character who [...]ICAA Record ID: 856447 -
[Letter] 1972 July 21, Caracas, Venezuela [to] James Harithas
1972This letter written in English by Gego, a Venezuelan artist of German origin, is addressed to Mr. James Harithas, director of the Everson Museum of Art, Syracuse, New York. Dated July 21, 1972, the letter states that despite her enthusiasm, Gego must [...]ICAA Record ID: 1148350 -
[Letter] 1972 May 31, Cali, Colombia [to] Lorenzo Homar
1972Colombian artist Pedro Alcántara informs his Puerto Rican colleague Lorenzo Homar of the final date for the exhibition of posters and other graphic arts, entitled Homenaje a Puerto Rico. He also mentions the materials necessary for the workshop that [...]ICAA Record ID: 825503 -
[Letter] 1972 Mayo 15, San Juan, Puerto Rico [to] Antonio Frasconi
1972In this letter to Uruguayan artist Antonio Frasconi, Lorenzo Homar comments on a number of topics: his resignation from the Instituto de Cultura Puertorriqueña (ICP); issues related to the Portafolio Casals and Luigi Marrozzini; and the request he [...]ICAA Record ID: 861590 -
[Letter] 1972 Mayo 18, Minturno [to] Libero [Badii]
1972Aldo Paparella writes to Libero Badii with his opinions about classic art, about the ancient sculptures he observed in Europe, in particular Etruscan culture [...]ICAA Record ID: 754622 -
[Letter] 1972 November 10, Cali, Colombia [to] Mariano Rodríguez
1972This is a letter from Colombian artist Pedro Alcántara to Cuban painter Mariano Rodríguez, in which the former warns the latter that the painter Carlos Granada—who represented Colombia at the Encuentro de Plástica Latinoamericana [Latin American [...]ICAA Record ID: 823924 -
[Letter] 1972 Noviembre 27, Miramar, Puerto Rico [to] Maritza Uribe y Gloria Restrepo
1972The printmaker Lorenzo Homar writes to the Columbians Maritza Uribe and Gloria Restrepo to thank them for returning the works that were shown in the exhibition at the Museo La Tertulia, in Cali, Colombia. He mentions that he will send them some [...]ICAA Record ID: 863747 -
[Letter] 1972 Noviembre 6, Minturno [to] Libero [Badii]
1972Aldo Paparella writes to Libero Badii from Europe about his humanitarian feelings about reality. In addition, he mentions economic matters [...]ICAA Record ID: 754634 -
[Letter] 1972 Octubre 25, [Minturno to] Libero [Badii]
1972Aldo Paparella writes to Libero Badii about the daily aspects of his stay; for example, the food, revealing how daily life allows him to elaborate aesthetic judgments. He mentions collectors' desire to have Badii's painting, by and large. Although he [...]ICAA Record ID: 754670 -
[Letter] 1972 Septiembre 1, Buenos Aires [to] Graciela Carnevale
1972A general announcement in which Margarita Paksa issues an invitation to take part in the Tribute to Che Guevara, explaining that folders will be published, called La América del Che [The America of Che], containing the work of some forty artists. [...]ICAA Record ID: 765945 -
[Letter] 1972 Septiembre 24, [Minturno] [to] Libero [Badii]
1972Aldo Paparella writes to Libero Badii about the family's economic problems, mentioning their trips through Europe and commenting to him about ancient art, emphasizing sculpture with a pronounced archaism. He mentions his future exhibition and [...]ICAA Record ID: 754658 -
[Letter] 1973 Diciembre 24, San Juan, Puerto Rico [to] Ricardo Alegría
1973The artist Lorenzo Homar writes to Ricardo Alegría, director of the Office of Cultural Affairs at the time, about the selection jury for the III Bienal de San Juan del Grabado Latinoamericano (1974) [Third San Juan Biennial of Latin American Graphic [...]ICAA Record ID: 861271 -
[Letter] 1973 Enero 23 [to] Lorenzo Homar
1973Colombian artist Pedro Alcántara thanks Lorenzo Homar for the photographs, letters, and silkscreen he sent him. Alcántara asks him to buy some printing materials he will need to create a portfolio of four works for the Communist Party. The party [...]ICAA Record ID: 861419 -
[Letter] 1973 Junio 14, Buenos Aires [to] Antonio Berni
1973This is a letter from Mr. Ramón Huidobro, the Chilean ambassador to Buenos Aires, , to Antonio Berni, the Argentine artist, to thank him for his donation of a work of art to the Museo de la Solidaridad. The letter was accompanied by a catalogue of [...]ICAA Record ID: 765648 -
[Letter] 1973 March 12, Cali, Colombia [to] Lorenzo Homar
1973Colombian artist Pedro Alcántara informs his Puerto Rican colleague Lorenzo Homar that the Colombian company Carvajal y Compañía had committed to donating funds for the construction of a printmaking studio. Alcántara asks Homar to help him put [...]ICAA Record ID: 823954 -
[Letter] 1973 Mayo 29, San Juan [to] Ricardo Alegría
1973Lorenzo Homar informs Ricardo Alegría, the executive director of the ICP (Instituto de Cultura Puertorriqueña), of the difficulties he is having with his weekly class in printmaking techniques and creative design at the Escuela de Artes Plásticas [...]ICAA Record ID: 861941 -
[Letter] 1973 September 20?, Cali, Colombia [to] Lorenzo Homar
1973In a letter to his Puerto Rican colleague Lorenzo Homar, Colombian artist Pedro Alcántara expresses his outrage at the death of Chilean President Salvador Allende during the attack on the Palacio de La Moneda by military forces staging a coup d'é [...]ICAA Record ID: 823969 -
[Letter] 1974 diciembre 28, Minturno [to] Libero Badii
1974Aldo Paparella writes to Libero Badii about the people who have visited him and mentions Argentinean sculptor Alberto Heredia. Paparella sends the normal end-of-year greetings [...]ICAA Record ID: 754878 -
[Letter] 1974 Julio, Barco Cristoforo Colombo [to] Libero Badii
1974Aldo Paparella writes to Libero Badii about his conception of drawing, understood as a medium that supports the artwork. For him, the real problems of artistic production can be duly understood through drawing. Paparella maintains he feels drawing as [...]ICAA Record ID: 754682 -
[Letter] 1974 July 18, Caracas, Venezuela [to] Mrs. Blumberg
1974This letter written by Gego in English is addressed to Mrs. Sandra Trop Blumberg, executive director of the Everson Museum of Art, Syracuse, New York. In it, Gego acknowledges receipt of Blumberg’s letter, dated July 3, and informs her that she [...]ICAA Record ID: 1148329 -
[Letter] 1974 Mayo 13, Cali [to] Lorenzo [Homar]
1974In this letter, Colombian printmaker Pedro Alcántara comments to Lorenzo Homar on the details of his trip to Puerto Rico for an exhibition of his work at the Instituto de Cultura Puertorriqueña [Institute of Puerto Rican Culture] (ICP). Alcántara [...]ICAA Record ID: 861980 -
[Letter] 1974 Octubre 24, [Minturno] [to] Libero Badii
1974Aldo Paparella writes to Libero Badii saying that one can communicate deeply from absolute silence. Paparella questions himself about the artist’s role, concluding that he should not only make artwork, but also provide answers about what he is [...]ICAA Record ID: 754729 -
[Letter] 1974 September 27, Montevideo [to] Lorenzo Homar
1974Quela Rovira, an Uruguayan artist, informs Lorenzo Homar about the shipping of the posters that had been exhibited. She sends her regrets about the events that occurred in Uruguay just after the exhibition, since they worsened the sale prospects for [...]ICAA Record ID: 861234 -
[Letter] 1974 September 6, San Antonio, Tejas [to] Rudy Treviño
1974This document was written under the letterhead “Tres” [Three], yet signed by artists Carmen Lomas Garza, Amado Maurilio Peña, and César Augusto Martinez. The authors outline their reasons for resigning from the collective Con Safo [sometimes [...]ICAA Record ID: 849230