Documents of Latin American and Latino Art

The curator Jesús Fuenmayor introduces Inmobilia (Sala Mendoza, Caracas, 1997), the exhibition of works by the Venezuelan photographer Luis Molina Pantin. Fuenmayor uses the idea of a “frame” as a metaphor in his review of the artist’s [...]

This curatorial text by William Niño Araque reviews the landscape genre in Venezuela starting with an early twentieth-century trend called “national landscape” and the approaches favored by the Círculo de Bellas Artes. The writer concludes his [...]