Documents of Latin American and Latino Art

León Ferrari writes a detailed evaluation of Tucumán Arde [Tucumán is Burning], framing it within the previous events (Itinerario del ’68) [Timetable for 1968]. In it he points out that “its purpose was to make art into a revolutionary tool, [...]

León Ferrari writes to Leopoldo Maler about the London stage production of Palabras ajenas [Other People’s Words]. He discusses the polyphonic work involving the various texts in the book, and talks about the economic situation and the student [...]

This article reports on Eduardo Ruano’s budding artistic career, which was interrupted by his violent political actions at the museum. It also shows that the authorities were mistaken in believing that Ruano’s work was actually the panel that had [...]

The text presented by Juan Pablo Renzi at the Primer Encuentro Nacional de Arte de Vanguardia [First National Encounter of Vanguard Art] is defined as an “attempt to bring about the grounds for the proposed agenda” and presents a framework for [...]

The article begins by stating the importance that study-abroad scholarships had for young Argentinean artists, emphasizing in particular the role played by the prize awarded by the Asociación Ver y Estimar [To See and Ponder Magazine Association]. [...]

This article reports on the awards ceremony for the 1968 Braque Prize (sponsored by the French embassy in Argentina). It was interrupted by the actions of “a group of painters and poets” that were members of the Frente Antiimperialista de [...]

CGT, the official weekly journal of the CGT de los Argentinos [the CGT of the Argentine people]?the labor union that opposed the dictatorship of Lieutenant General Juan Carlos Onganía (1966-70)?directed by Rodolfo Walsh, the writer and journalist, [...]