Name Descriptor: Vidal, Miguel Angel×
  • [El prólogo de Mac Entyre y Vidal requiere una explicación...]
    Squirru, Rafael, 1925-
    1960
    Rafael Squirru presents the exhibition by artists Eduardo Mac Entyre and Miguel Angel Vidal, identifying it as a sample of “generative art,” as it has been called by Ignacio Pirovano, in tandem with the writings of Georges Vantongerloo. In this [...]
    ICAA Record ID: 763131

  • Introduction
    Romero Brest, Jorge
    1964
    Jorge Romero-Brest analyzes the characteristics of Argentinean art from the early 19th century to the present, considering influences of international artistic trends and their diverse consequences in the local milieu. Furthermore, the art critic [...]
    ICAA Record ID: 768175

  • K. S. looks at : cows, mats and art
    Kemble, Kenneth, 1923-
    1960
    Kenneth Kemble points out the characteristics of Generative art. He mentions Rafael Squirru’s lecture. Kemble is ironic about geometry and the aesthetic value of the cow (regarding the rancher and collector, Ignacio Pirovano). He highlights the [...]
    ICAA Record ID: 740822

  • Op art y pop art en el Di Tella
    Córdova Iturburu, C. (Cayetano), 1902-
    1966
    Critical commentary by Cayetano Córdova Iturburu on the institution and the competition systems that, in his opinion, circulate only one type of artistic production: Pop art. In his judgment, the jury did not even consider the offerings of three [...]
    ICAA Record ID: 762108

  • Una singular iniciativa
    Squirru, Rafael, 1925-
    1966
    Rafael Squirru writes about a project for the company Fiat Concord—railcar maker—to incorporate art into its wagons. He maintains that Argentina is experiencing a moment of liberation of creative energies. Squirru is pointing out the importance [...]
    ICAA Record ID: 763662