Name Descriptor: Hlito, Alfredo×
  • [Conocí a Hlito desde sus comienzos como militante del grupo concreto...]
    Pellegrini, Aldo
    1963
    This introductory text for works by Alfredo Hlito emphasizes how the artist expanded their sensory territory while not abandoning the notion of purely visual painting. Pellegrini also points out that Hlito’s works also divide space into planes in a [...]
    ICAA Record ID: 744523

  • [El arte concreto constituye la culminación de un proceso estético]
    Bayley, Edgar
    1946
    The list of artists whose work was shown at the Arte Concreto-Invención Exhibition, held at the Sociedad Argentina de Artistas Plásticos [Argentine Society of Visual Artists], is as follows: Antonio Caraduje, Manuel Espinosa, Alfredo Hlito, Enio [...]
    ICAA Record ID: 731701

  • [El Grupo de artistas modernos de la Argentina, recientemente constituído...]
    1953
    This article reviews the first exhibition of the Grupo de Artistas Modernos [Modern Artists Group] of Argentina, presented at Galería Viau and featuring works by independent artists Sarah Grilo, Hans Aebi, Miguel Ocampo, and Fernández Muro, as well [...]
    ICAA Record ID: 742369

  • [La ascesis que Hlito ha practicado...]
    Derbecq, Germaine
    1960
    French artist and critic Germaine Derbecq wrote, in a literary text, about the work of Alfredo Hlito underscoring its differences from Concrete art, especially regarding the modulation of color. She conceives Hlito's painting as a block without [...]
    ICAA Record ID: 762882

  • [Um grupo de jovens pintores e escultores argentinos]
    Romero Brest, Jorge
    1953
    This document is the forewod to the Grupo de Artistas Modernos Argentinos [Modern Artists Group of Argentina] exhibition that presented works by the concrete artists Tomás Maldonado, Alfredo Hlito, Enio Iommi, Claudio Girola, Lidy Prati, as well as [...]
    ICAA Record ID: 743236

  • Abstractos en Viau
    Plá, Roger
    1952
    This critical text analyzes the exhibit Grupo de Artistas Modernos de la Argentina. Paintings, sculpture, and drawings by the group were presented at Galería Viau in June 1952. Roger Pla raises objections regarding the proposals of the concrete [...]
    ICAA Record ID: 742504

  • Alfredo Hlito : Premio adquisición en la Segunda Bienal del Museo de Arte Moderno de San Pablo
    Bayley, Edgar
    1954
    This article notes that Alfredo Hlito—who was secretary to the director of nueva visión [New Vision] magazine at that time—was awarded a prize at the Second São Paulo Biennial in Brazil. The writer suggests that this was not just a well- [...]
    ICAA Record ID: 742252

  • Arte abstracto, concreto, no figurativo
    Bayón, Damián
    1948
    This is a critical essay that discusses Nuevas Realidades. Arte Abstracto, concreto, no figurativo [New Realities. Abstract, Concrete, Non-Figurative Art], the exhibition that was presented at the Galería Van Riel September 12-25, 1948. The [...]
    ICAA Record ID: 742367

  • Arte Concreta
    Gullar, Ferreira, 1930-
    1977
    In this essay, Ferreira Gullar challenges the position taken by Rio de Janeiro’s so-called neo-Concrete artists in his account of the two movements’ shared history and disagreements. In his opinion, the genesis of Brazilian Concrete art [...]
    ICAA Record ID: 1315020

  • Arte concreto Argentino
    Stábile, Blanca
    1951
    This is a critical text on the works exhibited by Tomás Maldonado, Alfredo Hlito, and Enio Iommi at the Instituto de Arte Moderno in October 1950. In this analysis of some of the works in the exhibition, Blanca Stábile highlights the work of these [...]
    ICAA Record ID: 742283

  • Breve historia del arte argentino
    Bayón, Damián
    1987
    This brief but thorough review by the Argentine critic Damián Bayón explores the development of Argentine art from the eighteenth century to the present day. He mentions artists, architects, and sculptors who have helped to define the concept of [...]
    ICAA Record ID: 805103

  • Encuentros y coincidencias en el arte de América Latina entre oposiciones y antagonismos
    Ambrosini, Silvia de
    1984
    The Argentine critic Silvia de Ambrosini claims that there have always been “opponents” in the art field. In her opinion, these “opponents” are what revitalizes the creative atmosphere. She says that in Latin American art “we find [...]
    ICAA Record ID: 805706

  • Exposición de cuadros abstractos 1948 : el movimiento moderno de abstracción - invención - concreción
    Grupo Madí
    1948
    Written by the exhibiting group [which, by all indications, appears to the Buenos Aires movement known as Madí], the prologue to this catalogue is a manifesto of principles that briefly and superficially reviews the thematic changes that have [...]
    ICAA Record ID: 1101635

  • Inleiding
    Romero Brest, Jorge
    1953
    In this document Jorge Romero Brest introduces the exhibition Grupo de Artistas Modernos Argentinos [Modern Artists Group of Argentina] at the Stedelijk Museum of Ámsterdam. The exhibition presented works by the Concrete artists Tomás Maldonado, [...]
    ICAA Record ID: 743099

  • Los artistas latinoamericanos frente a las actuales tendencias plásticas
    Bayón, Damián
    1965
    In this article Damián Bayón questions the general state of the art world and the place occupied by Latin American artists within it. He defines the preeminent art trends of the time and then analyzes the way in which Latin American artists are (or [...]
    ICAA Record ID: 785938

  • Pintura : a propósito del grupo de pintores modernos, Aebi, Hlito, Maldonado, Ocampo, Grilo, Fernández Muro
    Squirru, Rafael, 1925-
    1952
    In this text, the Argentine critic, Rafael Squirru, analyzes the exhibition, Grupo de Artistas Modernos de la Argentina. Pinturas, esculturas, dibujos [Modern Art Group of Argentina. Paintings, Sculptures, Drawings], held at the Galería Viau in June [...]
    ICAA Record ID: 742544

  • Punto de vista crítico
    Romero Brest, Jorge
    1953
    Using the Grupo de Artistas Modernos de la Argentina exhibition held at Galería Krayd in 1953 as a starting point, Jorge Romero Brest writes a critical text explaining his motives for supporting Concrete art. He proposes—in a prophetic tone—that [...]
    ICAA Record ID: 742528