Documents of Latin American and Latino Art

Kenneth Kemble writes that the Palanza Award was a disappointment because those who were invited to participate, the great majority of them, showed works of a lesser quality; also, he believes that a shift in the public’s aesthetic taste has taken [...]

Luis Felipe Noé studies the Premio Palanza [Palanza Prize] submissions, opting for the work by Santiago Cogorno, given its existential abstraction. Standing out among his assessments are: the depletion of Luis Seoane’s painting in poster-making, [...]