Documents of Latin American and Latino Art

By 1954, Carlos Mérida had published 11 tenets related to what he called functional painting and its importance in the integration of the visual arts, as well as some theoretical concepts regarding architectonic-pictorial space. For Mérida, at that [...]

This article by Socorro García is a review of writer Antonio Souza’s tenure as the owner of the gallery that bore his name in Mexico City. After recounting the beginnings of his career, the journalist states the concerns that led him to open the [...]

A mere three years after her arrival in Mexico, the Argentina critic Raquel Tibol decided to gather various painters’ opinions about the exhibition of contemporary art from the Museum of Modern Art in Paris at the Palacio de Bellas Artes. Diego [...]