Name Descriptor: Salcedo, Bernardo, 1939-2007×
  • "Un mes de desahogos pasionales" : llama B. Salcedo su exposición
    1968
    By way of a brief interview, this text announces the opening of Bernardo Salcedo’s exhibition, Un mes de desahogos pasionales, at UD gallery in Parque de la Independencia in Bogotá. It explains that once the show is over, the works in it will [...]
    ICAA Record ID: 864509

  • Arte moderno en Colombia : de comienzos de siglo a las manifestaciones más recientes
    Rubiano Caballero, Germán, 1938-
    1995
    In this text, historian and critic Germán Rubiano Caballero provides an overview of Colombian art from the twenties through the eighties. He analyzes each decade on the basis of two key criteria: how the modern is constructed and the tension between [...]
    ICAA Record ID: 1100108

  • Con salvedad de un jurado, Salcedo ganó el primer premio : concurso de pintura Dante
    1966
    This article reports on the jury’s decision in the Dante Alighieri painting competition sponsored by the Italian Embassy in Colombia in1966. It also mentions the origins of the controversy that arose between the Italian Embassy’s representative, [...]
    ICAA Record ID: 1092428

  • Después del límite : dibujo y pintura
    Iovino Moscarella, María, 1962-
    2000
    Entitled “En la historia” [In History], this introduction to Después del límite [Beyond the Limit] summarizes critic and researcher María Iovino’s thinking on drawing and painting. Iovino asserts that Paul Cézanne was one of the artists [...]
    ICAA Record ID: 1079673

  • El arte colombiano busca el concepto
    Guerrero, María Teresa, 1941-; Pini, Ivonne
    1991
    Included in the art history research paper La experimentación en el arte colombiano del siglo XX, written by María Teresa Guerrero and Ivonne Pini, is a chapter entitled “El arte colombiano busca el concepto”. This section refers to the visual [...]
    ICAA Record ID: 1130950

  • El premio Dante Alighieri : otra obra llamada a suscitar problemas : el jurado del XVII censurada por no haber aceptado la obra de Bernardo Salcedo. Pero ahora... ¿qué vendrá?
    Parra Martínez, Nohra
    1966
    This document is the announcement of the Dante Alighieri prize, organized by the Italian Embassy in Colombia. In the painting category, the winner was the Colombian artist Bernardo Salcedo, with a nonpictorial work. This press release describes the [...]
    ICAA Record ID: 1092533

  • En la cultura : no son todos los que están ni están todos lo que son : un Festival Americano de Pintura que debe ajustarse
    1966
    This newspaper article is about the first Festival Americano de Pintura, organized by the IAC (Instituto de Arte Contemporáneo) and the Asociación Cultural Jueves as part of the Festivales de Lima. The article quotes the Argentinean critic and [...]
    ICAA Record ID: 1142722

  • Exposición conceptual de Bernardo Salcedo
    de Vieco, Beatriz
    1970
    In this text, Colombian journalist Beatriz de Vieco describes the conceptual works by Bernardo Salcedo featured in the November 1970 exhibition at the Sala Vásquez Ceballos of the National Library of Colombia in Bogotá. According to de Vieco, the [...]
    ICAA Record ID: 864488

  • La cultura no en-caja : autoentrevista de Bernardo Salcedo
    Salcedo, Bernardo, 1939-2007
    1987
    This conversation with the Colombian artist Bernardo Salcedo focuses exclusively on his views on cultural policies, a field in which he carried some weight. The document explains what Salcedo understands by self-management models and describes the [...]
    ICAA Record ID: 1092248

  • La III Bienal de Arte Americano : "Se me hizo justicia", dice Bernardo Salcedo
    Moreno, José A.
    1966
    This newspaper article contains Bernardo Salcedo’s statements about the Primer Premio de Adquisición he was awarded at the III Bienal de Arte Americano held in Cordoba, Argentina in 1966. Salcedo compares this decision with the one made by the [...]
    ICAA Record ID: 1091126

  • Los pintores rechazan Salón Anual sin premios
    Garzón, Miguel
    1972
    Miguel Garzón, the journalist with the Bogotá newspaper El Espectador reported on the decision to eliminate prizes and honorable mentions at the XXIII Salón de Artistas Nacionales [XXIII National Artists’ Salon] in 1972. In his article, Garzón [...]
    ICAA Record ID: 1076547

  • Los que son
    Traba, Marta
    1968
    This document is excerpted from the catalogue for Los que son [Those Who Are], the exhibition organized by Marta Traba at the Galería Marta Traba in Bogotá (May 3–16, 1968). The catalogue includes ten brief critical and biographical reviews of [...]
    ICAA Record ID: 1105063

  • Panorama actual
    Rubiano Caballero, Germán, 1938-
    1977
    This chapter of the encyclopedia Historia del arte colombiano [History of Colombian Art] written by Germán Rubiano is divided into three parts. In the first part, Rubiano discusses the art that is referred to in the chapter and that he considers to [...]
    ICAA Record ID: 1131582

  • Proyectos premiados
    1986
    Gloria Zea, the director of the Museo de Arte Moderno of Bogotá, Ángel Kalenberg, manager of the Museo Nacional de Artes Visuales of Montevideo, Uruguay, and Axel Stein, director of the exhibition hall of the Fundación Eugenio Mendoza, in Caracas [...]
    ICAA Record ID: 1130885

  • Recordando con ira
    Traba, Marta
    1968
    In this text, critic Marta Traba reviews the exhibition entitled Pintura y Grabado Hoy en Venezuela [Painting and Printmaking in Venezuela Today] held at the Biblioteca Luis Ángel Arango in Bogotá in 1968. She questions the representativeness of [...]
    ICAA Record ID: 1080610

  • Salcedo : un artista vivo e independiente
    1972
    Thisinvitation to an exhibition of recent works by Colombian artist Bernardo Salcedo at the Galería Belarca in Bogota gathers texts by different critics that defend or explain Salcedo’s work, placing it in the context of the art world. These [...]
    ICAA Record ID: 1089901

  • Salcedo vuelve y juega ... y gana
    Salcedo, Bernardo, 1939-2007
    1979
    This text signed by “Germán Lleras de Francisco”—the pseudonym that Bernardo Salcedo used in some of the critical texts he published in the newspaper El Tiempo—describes the exhibition of Salcedo’s own work, entitled Bernardo Salcedo, held [...]
    ICAA Record ID: 1093754