Name Descriptor: Almaraz, Carlos, 1941-1989×
  • Agustín Víctor Casasola's Soldaderas : malinchismo and the Chicana/o Artist
    Latorre, Guisela, 1970-
    2005
    In this essay, Guisela Latorre examines the reinterpretation by Chicano/a artists of photographs of soldaderas (female soldiers who participated in the Mexican Revolution) by the Mexican photographer Agustín Víctor Casasola. According to Latorre, [...]
    ICAA Record ID: 848856

  • Contemporary Chicano art
    Monteverde, Mildred
    1971
    Mildred Monteverde’s social art historical essay provides a survey of the various artistic elements that comprised the Chicano art movement during its initial period in the 1960s and early 1970s. As an auxiliary of the Chicano political movement, [...]
    ICAA Record ID: 845835

  • Conversation with artist : Frank Romero
    Nieto, Margarita
    1991
    In this document, Margarita Nieto interviews Frank Romero about his career as an artist as well as the current state of Chicano art. The artist opens up about his role in the artist collective, Los Four, and shares his thoughts on the basic tenets of [...]
    ICAA Record ID: 1082438

  • Homogenizing Hispanic Art
    Goldman, Shifra M., 1926-
    1987
    In this text, Shifra Goldman examines the problematic homogenization of the idea of “Hispanic” art and culture that was promoted by the exhibition Hispanic Art in the United States: Thirty Contemporary Painters and Sculptors organized by The [...]
    ICAA Record ID: 1065232

  • L.A. L.A. : the creation of a city through visual images
    Nieto, Margarita
    1989
    In this document, art historian and professor Margarita Nieto discusses the 1989 exhibition, Los Angeles Latino Artists, in which fifteen Los Angeles-based Latino artists reflect on the experience of the city in their production. She suggests that [...]
    ICAA Record ID: 1081910

  • Resistance and identity : street murals of occupied Aztlan
    Goldman, Shifra M., 1926-
    1977
    In this essay, art historian Shifra M. Goldman addresses Chicano mural art in the United States, which began as an independent movement around 1970. Goldman discusses the influences of Mexican muralism, especially that of Los Tres Grandes, Diego [...]
    ICAA Record ID: 803216

  • Resistencia e identidad : los murales callejeros de Aztlan, la ciudad ocupada
    Goldman, Shifra M., 1926-
    1977
    In this essay, art historian Shifra M. Goldman addresses Chicano mural art in the United States, which began as an independent movement around 1970. Goldman discusses the influences of Mexican muralism, especially that of Los Tres Grandes, Diego [...]
    ICAA Record ID: 862101

  • The post-chicano aesthetic : making sense of the world
    Benavidez, Max
    1990
    In this document, independent scholar Max Benavidez sets out to establish a working definition of post-Chicano art. He suggests that early on there were two commonly held views of Chicano identity articulated in visual production: one that glorified [...]
    ICAA Record ID: 1082685