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La Plástica y su proyección pública
1953It is believed that the so-called “gran arte” [sanctioned art] is going through a period during which it must, by means of an “organic process” play a live role due to its aesthetic rank, physical dimension, and public intervention. In that [...]ICAA Record ID: 753136 -
Memorial al señor arquitecto Carlos Lazo : gerente general de las obras en la ciudad universitaria : sobre el problema de mis murales en la rectoría y en la Facultad de Ciencias Químicas
1953David Alfaro Siqueiros sends the architect Carlos Lazo, project manager at Ciudad Universitaria (UNAM) in Mexico City, three documents about the scaffolding he has erected and the mural he is executing at the university’s Rectoría [President’s [...]ICAA Record ID: 786058 -
Un zafarrancho de estudiantes : Elementos adictos al arquitecto Carlos Lazo y al pintor Diego Rivera llegaron a las manos por cuchufetas de unos y otros
1930This news item describes a fight that took place at the inauguration of an exhibition at the Escuela de Artes Plásticas between Diego Rivera, director of that institution, and the architect Carlos Lazo, who was an art history teacher at the Facultad [...]ICAA Record ID: 773061 -
Vida y Arte : La Plástica y su proyección pública : Proceso de la integración plástica
1953The Ciudad Universitaria (UNAM campus) constitutes a great example of the process of visual arts integration, which according to García Maroto had its origin in the pre-Hispanic era, since at that historic moment we can find, from its very [...]ICAA Record ID: 753162
Documents of Latin American and Latino Art
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