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Careful, respect
1995In this short essay on the work of Cuban artist José Bedia, art historian Judith Bettelheim describes the artist as a “transcultural citizen” who “speaks at the intersection of diverse commentaries.” Bettelheim calls Bedia a postmodern [...]ICAA Record ID: 847897 -
Cuidado, con respeto
1995In this short essay on the work of Cuban artist José Bedia, art historian Judith Bettelheim describes the artist as a “transcultural citizen” who “speaks at the intersection of diverse commentaries.” Bettelheim calls Bedia a postmodern [...]ICAA Record ID: 847999 -
Latin American visions and revisions
1994Art historian Shifra M. Goldman writes with great acuity and depth about the traveling exhibition, Art of the Fantastic: Latin America, 1920–1987, which opened at the Indianapolis Museum of Art in 1987, and subsequently went to the Queens [...]ICAA Record ID: 1063953 -
Ritual in performance
2008This exhibition essay discusses several Central American and Caribbean artists who draw on rituals in their performative works, including Ernesto Pujol, María Magdalena Campos-Pons, José Bedia, Pepón Osorio, Tania Bruguera, [...]ICAA Record ID: 1344103 -
The "Grupo de Arte Jóven de Tocoal"
In this lecture, Raoul Deal reflects on his experiences living in Mexico between 1988 and 1998, on the history of art and education in Mexico, and the work of the workshop of El Tesoro de Tamulté in the state of Tabasco. Deal stresses Leandro Soto [...]ICAA Record ID: 840704