Name Descriptor: Pettoruti, Emilio, 1892-1971×
  • ¿Fuera del centro?: arte argentino en las colecciones venezolanas
    Arestizábal, Irma
    1995
    The researcher Irma Arestizábal comments on the placement of Argentinean avant-garde art, (always at the margin) in relationship to the hegemonic art centers. She writes based on a selection of works of Argentinean artists that appear in Venezuelan [...]
    ICAA Record ID: 1162631

  • ¿Identidad o modernidad?
    Manrique, Jorge Alberto
    1974
    In this chapter from América Latina en sus artes Jorge Alberto Manrique begins by describing the artistic movements of the 1920s and comparing this period to a giant hinge that moved backward to the nineteenth century and forward to the twentieth [...]
    ICAA Record ID: 838652

  • "7 pintores argentinos"
    Rinaldini, Julio
    1935
    Julio Rinaldini criticizes the leaflet with the manifesto of the Seven Artists (Antonio Berni, Lino Enea Spilimbergo, Horacio Butler, Ramón Goméz Cornet, Héctor Basaldúa, Aquiles Badi, and Emilio Pettoruti) who participated in the exhibition at [...]
    ICAA Record ID: 733926

  • [EL jueves 17 de junio a las 18, se inaugurará una exposición de los pintores modernos...]
    1926
    Invitation to the Exposición de Pintores Modernos [Modern Painters Exhibition], which took place at Amigos del Arte [Friends of Art] (Buenos Aires, June, 1926), and included the following artists: Emilio Pettoruti, Norah Borges, Xul Solar, and Piero [...]
    ICAA Record ID: 732226

  • [En lo que va del siglo, la pintura argentina...]
    Padeletti, Hugo, 1928-
    1962
    With the local context in mind, Padeletti writes about the criteria of originality and the problem of aesthetic contemplation. In addition, the critic points out the development of Argentinean collections, in particular those of the city of Rosario: [...]
    ICAA Record ID: 762895

  • 7 pintores argentinos : exposición restrospectiva
    Badi, Aquiles, 1894-1976
    1935
    The checklist of the retrospective exhibition of modern artists at Amigos del Arte [Friends of Art] in 1935. Those who participated, with important works created since the 1920s, were Aquiles Badi, Héctor Basaldúa, Antonio Berni, Horacio Butler, [...]
    ICAA Record ID: 733857

  • El salón de pintores modernos
    Rinaldini, Julio
    1935
    Julio Rinaldini criticizes the exhibition of modern artists in Amigos del Arte [Friends of Art] and maintains that it conceals a disturbing situation under a pleasant tone: modern painting is not liberty without control, he states. The critic defends [...]
    ICAA Record ID: 767941

  • Exposición de Pintores Modernos
    1926
    Exhibition catalogue from the Exposición de Pintores Modernos [Modern Painters Exhibition]. It took place in the Amigos del Arte [Friends of the Arts] facilities (Buenos Aires, June, 1926) and showcases the roster of artists taking part—Norah [...]
    ICAA Record ID: 769779

  • Exposición de veintidós pintores argentinos contemporáneos
    Romero Brest, Jorge
    1943
    In 1943, an exhibition consisting of twenty-two Argentinean artists organized by the Argentinean art critic Jorge Romero Brest and sponsored by the Comisión Nacional de Bellas Artes de la Argentina [National Commission of Fine Arts of Argentina] [...]
    ICAA Record ID: 1228230

  • Las artes plásticas de 1936 a 1939
    Ardazun, Carmelo de, 1888-1968
    1939
    The painter Carmelo de Arzadun wrote this critical review of the exhibitions held in Uruguay from 1936 to 1939, a period that was defined by effervescent creativity and a lively calendar of artistic events. The exhibition of works by French artists, [...]
    ICAA Record ID: 1224706

  • Marinetti en los "Amigos del Arte"
    Prebisch, Alberto
    1926
    Alberto Prebisch reports on the exhibition held at “Friends of Art” comprised of works by Emilio Pettoruti, Xul Solar, Norah Borges, as well as two projects by the architects, Ernesto Vautier and Alberto Prebisch, representatives of the “new [...]
    ICAA Record ID: 730875

  • Nuevos pintores argentinos
    Torre, Guillermo de, 1900-1971
    1931
    This essay by the Spanish writer Guillermo de Torre presents an interesting comparison between avant-garde literature and painting in Argentina. The writer describes the new painters with precise commentaries on the visual arts, as well as touching [...]
    ICAA Record ID: 767901

  • Pettoruti
    Xul Solar
    1924
    Xul Solar analyzes the work of Argentinian painter Emilio Pettoruti, whom he considers “one of the fathers of future Criollo art which now is being born”, as “the Criollo avant-garde towards the future.” Such a Criollo future requires, [...]
    ICAA Record ID: 732314

  • Pettoruti y el desconcertante futurismo
    Xul Solar
    1923
    This article affirms the connection of the work of the Argentinean painter Emilio Pettoruti to distinct schools of the European vanguard; although, it is not possible to relegate his work to any one of them. On the contrary, the art of Pettoruti is, [...]
    ICAA Record ID: 732252

  • Pettoruti y Obras
    Xul Solar
    1923
    Xul Solar, after analyzing and interpreting the works of Argentinean painter Emilio Pettoruti and reviewing his biographical information, perceives him as “fathering” the impending Criollo art. Xul understands that his work is still in its “ [...]
    ICAA Record ID: 732326

  • Prefacio
    Bayón, Damián
    1984
    In this text, Damián Bayón introduces a collection of essays on Latin American art with a broad overview of what he argues are the most critical issues when considering the historical and contemporary art of the region as a whole. He begins by [...]
    ICAA Record ID: 1061874

  • Problemas del arte en Latinoamérica
    Traba, Marta
    1958
    In her essay, Marta Traba launches an argument in five parts against nationalism in recent Latin American painting. In the first part, she identifies nationalism as the main problem with regard to contemporary painting. Although it poses as a path to [...]
    ICAA Record ID: 1061697

  • Ramón Gómez Cornet
    Chiabra Acosta, Alfredo, 1889-1932
    1927
    This article characterizes the work presented byRamón Gómez Cornet at Chandler Hall in 1922 as “personal,” in keeping with the means of understanding the “ismos imperantes” [“prevailing –isms”] of that era. At the same time, Atalaya [...]
    ICAA Record ID: 769797

  • Una exposición en Amigos del Arte : 7 pintores
    Estarico, Leonardo
    1935
    Leonardo Estarico critiques the seven artists (Antonio Berni, Lino Enea Spilimbergo, Horacio Butler, Ramón Goméz Cornet, Héctor Basaldúa, Aquiles Badi, and Emilio Pettoruti) who exhibited at Amigos del Arte [Friends of Art]. He ponders the [...]
    ICAA Record ID: 779621

  • XIII Salón de Acuarelistas
    Chiabra Acosta, Alfredo, 1889-1932
    1927
    This article by Atalaya (Alfredo Chiabra-Acosta) analyzes the visual works of Aquiles Badi, Juan Del Prete, and Emilio Pettoruti, which were exhibited at the 13th Salon of Watercolor, viewing them as the only ones worthy of mention, since they are [...]
    ICAA Record ID: 768760