Documents of Latin American and Latino Art

According to Tadeu Chiarelli, contemporary international art has moved away from personal expression and embraced an industrial aesthetic. This is the result of a serial, modular logic that rejects any attempt to stress the physical and chemical [...]

This is the text of the lecture given by Aracy Amaral at the symposium presented on the occasion of the Art of the Fantastic: Latin America, 1920?1987 exhibition, in which she discusses the meaning of the term “fantastic,” particularly in the [...]