Name Descriptor: Sakai, Kazuya×
  • [Los cinco pintores que me honro en presentar...]
    Romero Brest, Jorge
    1960
    Jorge Romero Brest begins his text with theoretical definitions about art’s meaning, perceived as an entity that has its own being. In his opinion, the artist becomes a trigger for an expression that is always being, in addition to the experience [...]
    ICAA Record ID: 762815

  • [Todo verdadero artista se busca a lo largo de su vida...]
    Bayón, Damián
    1957
    Damián Bayón writes about the work of Argentinean-Japanese artist Kasuya Sakai by analyzing his different stages; that is, concerning the harmony of contrasting colors; the influence of Hartung and calligraphy; black forms in a more complex [...]
    ICAA Record ID: 768981

  • 7 pintores abstractos
    Galería Pizarro (Buenos Aires, Argentina)
    1957
    Cover and listing of artists who participated in the exhibition 7 pintores abstractos [Seven Abstract Painters], held at Galería Pizzarro in Buenos Aires from October 1 to 19, 1957. Essentially, it brings to the fore a singular grouping in the 1950s [...]
    ICAA Record ID: 769021

  • A panorama of Argentine art
    Kemble, Kenneth, 1923-
    1963
    Kenneth Kemble praises the exhibitions of three artists: Pablo Curatella Manes, Carlos Squirru, and Kazuya Sakai, all from quite dissimilar generations, different racial origins and artistic influences. These differences make it possible to sketch a [...]
    ICAA Record ID: 741288

  • Arte Nuevo de la Argentina = New Art of Argentina
    Instituto Torcuato Di Tella
    1964
    This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]
    ICAA Record ID: 753895

  • Foreword
    Van der Marck, Jan; Foley, Suzanne
    1964
    The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]
    ICAA Record ID: 768152

  • Impulso, tormenta y viaje a lo irracional
    García Martínez, José A.
    1957
    This document is a critical text that analyzes the rise of the group Siete Pintores Abstractos [Seven Abstract Painters]. The group was formed in 1957 without any previous theoretical proposals. The text emphasizes that in this case, and in contrast [...]
    ICAA Record ID: 742443

  • Introduction
    Messer, Thomas M.
    1966
    In this text, Thomas Messer explains the logic behind how he selected the works for his exhibition The Emergent Decade: Latin American Painters and Painting in the 1960s. He also considers the questions that the exhibition raises about how [...]
    ICAA Record ID: 1061823