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Hacia un perfil del arte latinoamericano por Ulises Petit de Murat
1973In this text, the writer Ulyses Petit de Murat discusses the travels of the exhibition Hacia un perfil del arte latinoamericano. Petit de Murat was a highly esteemed contributor in the field of literature and cinematography who, one way or another, [...]ICAA Record ID: 1476445 -
Dictadura o clamoreo en el Uruguay
1994Here Clemente Padín sketches a retrospective of his life as an artist—he was an experimental poet, graphic designer, performer, and networker—during the Uruguayan military-civilian dictatorship (that lasted from the June 27, 1973 coup d’état [...]ICAA Record ID: 1240688 -
El arte de una sociedad en transformación
In this text, Saúl Yurkievich examines how Latin American art has been affected by its context, arguing that even as art becomes increasingly autonomous it is still a means of communication and as such must be considered in relationship to the [...]ICAA Record ID: 832488 -
Interrogantes
1978In the introduction to his questionnaire, the visual artist Julio Le Parc notes that art, being a product of social importance, needs group feedback. The first part of the questionnaire focuses on the definition, function, and social relationship of [...]ICAA Record ID: 815575 -
Breve historia del arte argentino
1987This brief but thorough review by the Argentine critic Damián Bayón explores the development of Argentine art from the eighteenth century to the present day. He mentions artists, architects, and sculptors who have helped to define the concept of [...]ICAA Record ID: 805103 -
Los artistas latinoamericanos frente a las actuales tendencias plásticas
1965In this article Damián Bayón questions the general state of the art world and the place occupied by Latin American artists within it. He defines the preeminent art trends of the time and then analyzes the way in which Latin American [...]ICAA Record ID: 785938 -
Introduction
1964Jorge Romero-Brest analyzes the characteristics of Argentinean art from the early 19th century to the present, considering influences of international artistic trends and their diverse consequences in the local milieu. Furthermore, the art critic [...]ICAA Record ID: 768175 -
Foreword
1964The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]ICAA Record ID: 768152 -
Premio nacional y premio internacional “Torcuato Di Tella”
1964The text by Horacio Safons critically analyzes the national prize. Although he agrees, with certain reservations, with the distinction awarded to Marta Minujín, he expresses his complete disagreement with the works of Emilio Renart. Safons [...]ICAA Record ID: 762354 -
Premios Instituto Torcuato Di Tella – Año 1964
1964Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]ICAA Record ID: 762240 -
Op art y pop art en el Di Tella
1966Critical commentary by Cayetano Córdova Iturburu on the institution and the competition systems that, in his opinion, circulate only one type of artistic production: Pop art. In his judgment, the jury did not even consider the offerings of three [...]ICAA Record ID: 762108 -
Repudio al Premio Braque- organizado por la Embajada Francesa
1968The artists who had called for boycotting the 1968 Premio Braque (promoted by the French embassy in Argentina) stated their condemnation of its censorship in the midst of the awards ceremony, which was carried out in the Museo Nacional de Bellas [...]ICAA Record ID: 756305 -
El arte de los significados
1968This text was presented by León Ferrari (1920–2013) for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Conference of Vanguard Art] (Rosario, Argentina, 1968); it proposed what he called an “arte [...]ICAA Record ID: 755986