Name Descriptor: Le Parc, Julio×
  • Breve historia del arte argentino
    Bayón, Damián
    1987
    This brief but thorough review by the Argentine critic Damián Bayón explores the development of Argentine art from the eighteenth century to the present day. He mentions artists, architects, and sculptors who have helped to define the concept of [...]
    ICAA Record ID: 805103

  • Dictadura o clamoreo en el Uruguay
    Padín, Clemente, 1939-
    1994
    Here Clemente Padín sketches a retrospective of his life as an artist—he was an experimental poet, graphic designer, performer, and networker—during the Uruguayan military-civilian dictatorship (that lasted from the June 27, 1973 coup d’état [...]
    ICAA Record ID: 1240688

  • El arte de los significados
    Ferrari, León, 1920-
    1968
    This text was presented by León Ferrari (1920–2013) for discussion at the Primer Encuentro Nacional del Arte de Vanguardia [First National Conference of Vanguard Art] (Rosario, Argentina, 1968); it proposed what he called an “arte de los [...]
    ICAA Record ID: 755986

  • Foreword
    Van der Marck, Jan; Foley, Suzanne
    1964
    The text explains the objectives of the exhibition New Art of Argentina (Minneapolis: Walker Art Center, September 9–October 11, 1964); the characteristics of Argentinean art united to the successive immigration waves that happened to that country [...]
    ICAA Record ID: 768152

  • Interrogantes
    Le Parc, Julio
    1978
    In the introduction to his questionnaire, the visual artist Julio Le Parc notes that art, being a product of social importance, needs group feedback. The first part of the questionnaire focuses on the definition, function, and social relationship of [...]
    ICAA Record ID: 815575

  • Introduction
    Romero Brest, Jorge
    1964
    Jorge Romero-Brest analyzes the characteristics of Argentinean art from the early 19th century to the present, considering influences of international artistic trends and their diverse consequences in the local milieu. Furthermore, the art critic [...]
    ICAA Record ID: 768175

  • Los artistas latinoamericanos frente a las actuales tendencias plásticas
    Bayón, Damián
    1965
    In this article Damián Bayón questions the general state of the art world and the place occupied by Latin American artists within it. He defines the preeminent art trends of the time and then analyzes the way in which Latin American artists are (or [...]
    ICAA Record ID: 785938

  • Op art y pop art en el Di Tella
    Córdova Iturburu, C. (Cayetano), 1902-
    1966
    Critical commentary by Cayetano Córdova Iturburu on the institution and the competition systems that, in his opinion, circulate only one type of artistic production: Pop art. In his judgment, the jury did not even consider the offerings of three [...]
    ICAA Record ID: 762108

  • Premio nacional y premio internacional “Torcuato Di Tella”
    Safons, Horacio
    1964
    The text by Horacio Safons critically analyzes the national prize. Although he agrees, with certain reservations, with the distinction awarded to Marta Minujín, he expresses his complete disagreement with the works of Emilio Renart. Safons considers [...]
    ICAA Record ID: 762354

  • Premios Instituto Torcuato Di Tella – Año 1964
    Instituto Torcuato Di Tella
    1964
    Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]
    ICAA Record ID: 762240

  • Repudio al Premio Braque- organizado por la Embajada Francesa
    1968
    The artists who had called for boycotting the 1968 Premio Braque (promoted by the French embassy in Argentina) stated their condemnation of its censorship in the midst of the awards ceremony, which was carried out in the Museo Nacional de Bellas [...]
    ICAA Record ID: 756305