Documents of Latin American and Latino Art

Through diverse photographs, Mathias Goeritz shows the development of what he calls the “problem” of Integración Plástica [Plastic Integration], a dogmatic movement in which the architect Mario Pani actively participated together with several [...]

Margarita Nelken reports on the Torres de Ciudad Satélite [Satellite City Towers] project that had been designed in tandem by Mathias Goeritz and the architect Luis Barragán. Although the art critic celebrates the innovative sculptural design of [...]

The writer José Núñez y Domínguez interviews the painter Ángel Zárraga about his first year back working in Mexico after almost four full decades in Europe. The artist would respond with pride, saying “my days have been filled with great [...]

Mathias Goeritz comments on his early obsession with the idea of vertical constructions. His first monumental tower (for the Museo Experimental El Eco) as well as the series of projects called “Arquitectura emocional” [Emotional Architecture] are [...]

The Spanish art critic Margarita Nelken uses the term “Decoración Mexicana” [Mexican Decoration] as the title of her article on the work created at the Multifamiliar Benito Juarez [Benito Juárez Residential Project] by the Guatemalan artist [...]

This article by Mathias Goeritz looks at the level of plastic integration achieved by the Benito Juárez Multifamily Urban Unit, a project under the architectural direction of Mario Pani and Enrique del Moral, working together with the plastic artist [...]

This essay is the first sketch of some of Carlos Mérida’s original concepts on Integración Plástica [Arts Integration]. He states that functional painting—the only path in contemporary art—should be created for the majority of people, in [...]

The intention of the writer, José Corral Rigand, was to create a written portrait of Roberto Montenegro. He visited Montenegro accompanied by Juan José Tablada (a poet) and Juan Sánchez Azora. Right beside the artist was his painting, Hembra [...]