Name Descriptor: Forner, Raquel×
  • [No hace mucho que Nelia Licenziato se ha incorporado....]
    Córdova Iturburu, C. (Cayetano), 1902-
    1963
    Cayetano Córdova Iturburu introduces the exhibition of prints by Nelia Licenziato at Galería Lirolay (Buenos Aires, June, 1963) and expresses great enthusiasm for those who conquer interplanetary spaces. The critic also mentions the vitality of the [...]
    ICAA Record ID: 764972

  • Dos reportajes: ¿Figuración? ¿Abstracción?
    Fuentes, Enrique; Neri, Franco
    1956
    This interview focuses on the dispute between advocates for figurative art and those for abstract art; Raquel Forner represents the figurative contingent and Lidy Prati, a member of the new generation associated with Concrete Art, represents the [...]
    ICAA Record ID: 819310

  • El salón de pintores modernos
    Rinaldini, Julio
    1935
    Julio Rinaldini criticizes the exhibition of modern artists in Amigos del Arte [Friends of Art] and maintains that it conceals a disturbing situation under a pleasant tone: modern painting is not liberty without control, he states. The critic defends [...]
    ICAA Record ID: 767941

  • Encuentros y coincidencias en el arte de América Latina entre oposiciones y antagonismos
    Ambrosini, Silvia de
    1984
    The Argentine critic Silvia de Ambrosini claims that there have always been “opponents” in the art field. In her opinion, these “opponents” are what revitalizes the creative atmosphere. She says that in Latin American art “we find [...]
    ICAA Record ID: 805706

  • Exposición de veintidós pintores argentinos contemporáneos
    Romero Brest, Jorge
    1943
    In 1943, an exhibition consisting of twenty-two Argentinean artists organized by the Argentinean art critic Jorge Romero Brest and sponsored by the Comisión Nacional de Bellas Artes de la Argentina [National Commission of Fine Arts of Argentina] [...]
    ICAA Record ID: 1228230

  • Primer Grupo Argentino de Pintores Modernos : Salon Centenario : Montevideo, mayo 1931
    1931
    In the framework of celebrations marking the first century of Uruguayan Independence (1930− 1931), the Comisión Nacional del Centenario favored an exhibition consisting of modern Argentinean artists from Buenos Aires [...]
    ICAA Record ID: 1228165

  • Raquel Forner
    Berni, Antonio, 1905-1981
    1947
    Antonio Berni writes about moral issues, and discusses what people can actually do in response to the injustice and criminal activities in the world. He reviews the work of Raquel Forner, attempting to explain it through a series of formal, technical [...]
    ICAA Record ID: 774879

  • Salón de Primavera : el eterno fracaso de la crítica
    Chiabra Acosta, Alfredo, 1889-1932
    1926
    In this article dealing with the Salón de Primavera [Spring Salon], Alfredo Chiabra-Acosta explores different aspects of the art field: both the state and the traits of contemporary art criticism, the difference between the modern and the new art [...]
    ICAA Record ID: 748267

  • Una exposición en Amigos del Arte : 7 pintores
    Estarico, Leonardo
    1935
    Leonardo Estarico critiques the seven artists (Antonio Berni, Lino Enea Spilimbergo, Horacio Butler, Ramón Goméz Cornet, Héctor Basaldúa, Aquiles Badi, and Emilio Pettoruti) who exhibited at Amigos del Arte [Friends of Art]. He ponders the [...]
    ICAA Record ID: 779621