Name Descriptor: Catunda, Leda×
  • 15 artistas brasileiros: colocando dobradiças na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1996
    According to Tadeu Chiarelli, contemporary international art has moved away from personal expression and embraced an industrial aesthetic. This is the result of a serial, modular logic that rejects any attempt to stress the physical and chemical [...]
    ICAA Record ID: 1110500

  • Arte híbrida
    Romagnolo, Sérgio, 1957-
    1989
    In this text, Sérgio Romagnolo expresses the need for a “unique vision” in order to understand Brazilian art. He believes that Brazilian artists should not be seen from a European perspective and maintains that it is still possible to develop [...]
    ICAA Record ID: 1075117

  • Baravelli visita Leda Catunda
    Baravelli, Luiz Paulo; Catunda, Leda
    1988
    This is an interview conducted by the artist Luiz Paulo Baravelli with the painter Leda Catunda, who comments on two painting trends in São Paulo in the 1980s: subject and figure. She talks about her approach to art of the prior decade and cites the [...]
    ICAA Record ID: 1111248

  • Considerações sobre o uso de imagens de segunda geração na arte contemporânea
    Chiarelli, Tadeu, 1956-
    1987
    Tadeu Chiarelli sees “the quote” as one of the defining features of contemporary art, taken from visual systems and inspired by a vast array of images and preexisting artistic procedures. He scours his sources, noting the role played by [...]
    ICAA Record ID: 1110502

  • Quatro artistas = Four artists
    Amaral, Aracy A., 1930-
    1989
    The Brazilian professor and art critic Aracy Amaral introduces Arte Híbrida, the exhibition organized by the MACU in Sao Paulo where she was the director. She highlights the creativity of the participating artists and their search for a Brazilian [...]
    ICAA Record ID: 1110458

  • Transvanguarda no Brasil : os novos punks da pintura
    Coutinho, Wilson
    1984
    This essay by the critic Wilson Coutinho provides an assessment of the new artistic generation that emerged in the Brazilian artistic scene of the 1980s, starting with the retrospective presented at the Thomas Cohn Gallery in Rio de Janeiro with [...]
    ICAA Record ID: 1110977

  • Uma jovem pintura em São Paulo
    Amaral, Aracy A., 1930-
    1983
    In this text, critic and curator Aracy Amaral presents the group show “Pintura como meio,” held at the Museu de Arte Contemporânea da Universidade de São Paulo in 1983. According to Amaral, who was the director of the museum [...]
    ICAA Record ID: 1111245