Documents of Latin American and Latino Art

The synopsis and annotations in English are coming soon [...]

This article describes the 1967 exhibition about objective art held in Montevideo at the General Electric Institute that included work by Carlos and Enrique Fernández Broglia, Amalia Polleri, Nelson Ramos, Washington Barcala, and Luis Alberto Solari [...]

This essay is about the article describing the opening of the Primer Salón de Pintura General Electric [The First General Electric Art Exhibition Hall] in October of 1963, highlighting the work of IGE (Instituto General Electric [General Electric [...]

This essay about the interview by Pablo Mañé Garzón with Ángel Kalenberg, the director of the IGE (Instituto General Electric de Montevideo [General Electric Institute of Montevideo), discussing the programs carried out by the institution that [...]

The article describes a cultural event held at the IGE (Instituto General Electric [General Electric Institute]) in Montevideo where the performances by the visual artists and the exhibition on the industrial artistic works were linked through rather [...]

This essay is on the informative publication by the newspaper El Plata on the II Salón de Pintura Moderna [Second Hall of Modern Art], organized in Montevideo by the IGE (Instituto General Electric [General Electric Institute]). It is with regard to [...]

This article voices the intentions of the Grupo Toledo Chico and its ideological position on “national art” versus “colonialist art.” The Uruguayan vernacular is, for the group, bound to cultural independence from hegemonic metropolitan [...]

This informational brochure was written by Ángel Kalenberg, the director of the IGE (Instituto General Electric) in Montevideo, founded in 1963. The brochure describes the various objectives and activities of the institute that had been carried out [...]