Name Descriptor: http://icaa.mfah.org/vocabs/names/index.php?tema=1371×
  • Claves y constantes definidoras
    Romera, Antonio R., 1908-1975
    1969
    The art critic Antonio Romera identifies the uniquely Chilean aspects of Chilean painting in his study of four constants that, in his opinion, are repeated throughout its history: landscape, color, French influence, and character. Similarly, the [...]
    ICAA Record ID: 754547

  • El arte en Chile
    Richon Brunet, Ricardo, 1866-1946
    1910
    In this essay Ricardo Richon Brunet reviews the evolution of Chilean art since the arrival of Raymond Monvoisin in the mid-nineteenth century. He describes the kind of work that was produced by the early artists, especially those who trained at the [...]
    ICAA Record ID: 748557

  • Las estructuras elementales de la transferencia teórica
    Mellado, Justo Pastor, 1949-
    1995
    In this text Justo Pastor Mellado discusses the concept of “theoretical transference,” an idea that is mentioned in several of his publications. He uses two fictional models: one refers to the origin myth in Chilean painting, the other to [...]
    ICAA Record ID: 736043