Name Descriptor: Gómez Sánchez, Gloria, 1921-2007×
  • Actitud legítimamente artística : Gloria Gómez Sánchez en "Solisol"
    Acha, Juan, 1916-1995
    1965
    In this essay the author, Juan Acha describes the setting and diversity of the elements in the exhibition room where Gloria Gómez Sánchez mounted her installation Yllomomo. These include card boards, rubbish, unusable objects, objects that were [...]
    ICAA Record ID: 1142867

  • En la cultura : no son todos los que están ni están todos lo que son : un Festival Americano de Pintura que debe ajustarse
    1966
    This newspaper article is about the first Festival Americano de Pintura, organized by the IAC (Instituto de Arte Contemporáneo) and the Asociación Cultural Jueves as part of the Festivales de Lima. The article quotes the Argentinean critic and [...]
    ICAA Record ID: 1142722

  • La pintura se fue a la feria : happening vs "bienal"
    Belaúnde Guinassi, Mario
    1966
    In this newspaper article, “Juan Gris” (the pseudonym used by the journalist Mario Belaúnde Guinassi) reviews the first exhibition of works by the members of the Grupo Arte Nuevo. The group organized the exhibition to protest the fact that they [...]
    ICAA Record ID: 1142737

  • Las exposiciones
    Rodríguez Saavedra, Carlos
    1965
    This artistic critique was written by gallery owner and art critic Carlos Rodríguez Saavedra, on several exhibitions happening in November of 1965 in Lima. He calls attention to the exhibition Yllomomo presented by Gloria Gómez Sánchez—whom he [...]
    ICAA Record ID: 1142544

  • Notas de arte
    Carvallo De Núñez, Carlota
    1965
    In her art column, Carlota Carvallo reviews and discusses several exhibitions that opened in Lima in late 1965. She mentions the exhibitions of works by two sculptors, Alberto Guzmán and Marina Núñez del Prado, then goes on to talk about three [...]
    ICAA Record ID: 1142429

  • Nuevo ambiente en el I.A.C.
    Meza, Luis Antonio, 1931-
    1965
    This is Luis Antonio Meza’s review of Mimuy, the installation created by Mario Acha, Miguel Malatesta, and Efraín Montero. The journalist and musician quotes the critic Juan Acha to explain the nature of an installation. Referring to the title of [...]
    ICAA Record ID: 1142478

  • Ofensiva neo-dadísta
    Bendezú, Francisco, 1928-2004
    1965
    This text is an article by Francisco Bendezú, a Peruvian poet, in which he critiques a series of exhibitions held in Lima (Peru) at the end of 1965. Among various shows in the Peruvian capital, the author emphasizes the ones by Luis Arias Vera and [...]
    ICAA Record ID: 1142527

  • Op-Pop-Sex
    1967
    This short article is about the second solo exhibition of Gloria Gómez Sánchez at the Cultura y Libertad gallery in Lima (May–June 1967). The anonymous author underscores the female content of the material on display: “woman [...]
    ICAA Record ID: 1142804

  • Próximas exposiciones : "Ambientaciones" y Muñecones
    Acha, Juan, 1916-1995
    1965
    The critic Juan Acha discusses the imminent opening of three exhibitions in Lima in late 1965—the installation Mimuy and the solo shows by Luis Arias Vera and Gloria Gómez Sánchez—which the critic describes as “very important.” Acha says [...]
    ICAA Record ID: 1142445

  • Treinta minutos de charla con la señora Gloria Benvenuto de Gómez Sánchez, nuevo valor de la Pintura Nacional
    Rea, J. Alberto
    1951
    In this interview the painter Gloria Benvenuto de Gómez Sánchez says: “Painting is in my soul. If I had been born at some other time I would have done the same thing: paint.” She states that art and her family are “her two great loves.” She [...]
    ICAA Record ID: 1142413