Documents of Latin American and Latino Art

In this article, Roberto Guevara critiques the landscape work of Adrián Pujol, establishing conceptual links between his first works and the new representational proposal of the neo-landscape artist. Guevara highlights Pujol’s use of apparent and [...]

The journalist Maritza Jiménez interviews the Venezuelan printmaker and illustrator Adrián Pujol on the occasion of the latter’s exhibition at the Sala Ipostel (Caracas, 1981). During the conversation, they discuss Pujol’s conceptual and formal [...]

This essay by Roberto Guevara was published in the catalogue for the exhibition of works by Adrián Pujol at the Galería de Arte Nacional de Caracas in November 1995. Guevara analyzes Pujol’s work, and discusses the Majorca-born Venezuelan painter [...]

Within the framework of the Exposición Antológica 1975/1995 [Retrospective Exhibition 1975–1995] of Venezuelan painter Adrián Pujol, historian Axel Stein establishes connections between the landscapes of the artist and the other renowned artists [...]

This essay by the curator Zuleiva Vivas appeared in the catalogue for the exhibition organized by the Taller Huella (Caracas: Galería Sotavento, 1993). Vivas lists the objectives of this group founded in 1980 by five Venezuelan artists, which were [...]

This essay by the historian Juan Carlos Palenzuela appeared in the catalogue for the Taller Huella exhibition held at the Venezuelan Embassy in Paris in 1995. Palenzuela briefly describes the pieces submitted by participating artists, whose work is [...]

In the book 11 tipos. Arte en Venezuela en los años setenta, the researcher Juan Carlos Palenzuela makes an exhaustive study of Venezuelan art in the1970s, a time when conceptual art was unquestionably being produced in that country. The author [...]