Name Descriptor: Sala Mendoza (Caracas, Venezuela)×
  • Signes de Mercedes Pardo en la Sala Mendoza."
    Otero, Alejandro, 1921-1990
    Alejandro Otero writes this article for Revista Cal to reflect on the work of fellow pioneer in abstract art (and his wife) Mercedes Pardo. It focuses on Pardo’s series of Signes, on view at the Sala Mendoza in Caracas. The Venezuelan modernist [...]
    ICAA Record ID: 1331628

  • Exposiciones en Caracas : Alejandro Otero - Galería Mendoza
    Calzadilla, Juan, 1931
    Juan Calzadilla refers to the latest installment in Alejandro Otero’s Papeles coloreados series; he calls the artist’s current period his most important one since Coloritmos, and identifies an underlying synthesis of the artist’s creative [...]
    ICAA Record ID: 1172174

  • Zabala versus Mendoza
    Guevara, Roberto, 1932-1998
    Roberto Guevara offers his thoughts in a critique of the artwork presented in Venezuela by the painter María Zabala, based on her most recent design using neon light. Guevara offers some background on Zabala’s creative life that illustrates her [...]
    ICAA Record ID: 1165730

  • Cerámicas
    Cisneros, Isabel, 1962-
    In connection with her exhibition in the Sala Mendoza (Caracas, 1990), the Venezuelan artist Isabel Cisneros wrote this [brief] introduction. In the essay, she explains how she entered into the world of ceramics, as well as her interests and [...]
    ICAA Record ID: 1164663

  • IX Premio Eugenio Mendoza
    Fajardo-Hill, Cecilia
    Curator Cecilia Fajardo-Hill addresses the work of the artists featured in the ninth Premio Eugenio Mendoza in terms of a number of visual and conceptual issues. In her view, the event attempted to expand and question any possible definition of [...]
    ICAA Record ID: 1163982

  • X Premio Eugenio Mendoza
    Fajardo-Hill, Cecilia
    Curator Cecilia Fajardo-Hill reviews the tenth Premio Eugenio Mendoza exhibition, establishing relationships among the works that were exhibited. In this text she disclosed that the exhibition was not organized thematically, but the works were [...]
    ICAA Record ID: 1161278

  • Que los cuadros canten
    Pérez Oramas, Luis, 1960-
    The writer describes and analyzes the work of the Venezuelan visual artist shown in the exhibition that bears his name, Juan Iribarren (Sala Mendoza, Caracas, 1994). Based on his study of these paintings, Luis Enrique Pérez-Oramas formulates what he [...]
    ICAA Record ID: 1160315

  • El paisaje : Un espectáculo que no se acaba nunca. José António Quintero
    Comerlati, Mara, 1952-
    In this essay Mara Comerlati discusses Colinas, árboles y valles, the exhibition of works by José Antonio Quintero at the Sala Mendoza (Caracas, 1981). In this series of drawings and paintings inspired by his observations of the countryside in the [...]
    ICAA Record ID: 1157465

  • Pujol y lo cotidiano desconocido
    Guevara, Roberto, 1932-1998
    In this article, Roberto Guevara critiques the landscape work of Adrián Pujol, establishing conceptual links between his first works and the new representational proposal of the neo-landscape artist. Guevara highlights Pujol’s use of apparent and [...]
    ICAA Record ID: 1157449

  • Sobremontajes de Manaure
    Calzadilla, Juan, 1931
    In this text, Juan Calzadilla critically reflects on Mateo Manaure’s “pinturas sobremontaje” conceived as a combination of painting and photography. In Calzadilla’s view, these works represent continuity, rather than rupture, within Manaure [...]
    ICAA Record ID: 1156507

  • "Signos" de la pintora Mercedes Pardo
    Batallán, Lorenzo
    The journalist Lorenzo Batallán writes about the impending opening of Signos, the exhibition of works by the painter Mercedes Pardo at the Sala Mendoza (Caracas). In his article, Batallán describes this Venezuelan artist’s experimentation with [...]
    ICAA Record ID: 1155975

  • Hay que buscar un arte que salve : Magdalena Fernández ( Premio Eugenio Mendoza 1996)
    Wisotzki, Rubén
    Journalist Rubén Wisotzki interviewed Magdalena Fernández in 1996, when she was awarded the Premio Eugenio Mendoza. Fernández acknowledges that her work, particularly her studies in design to which abstraction and geometricism are fundamental, is [...]
    ICAA Record ID: 1155102

  • Guevara se renueva
    Erminy, Perán
    Critic Perán Erminy expresses his opinion of the works by Venezuelan artist Luis Guevara Moreno exhibited at the Sala Mendoza in Caracas. He asserts that because Guevara Moreno has replaced “intimate and autobiographical lyricism” with the [...]
    ICAA Record ID: 1154506

  • Los originales y misteriosos grabados de Elisa Elvira Zuloaga
    Plaza, José Luis
    Spanish collector José Luis Plaza affirms the importance of the engravings of Elisa Elvira Zuloaga, which were exhibited (along with some canvases on which she was still working) at the Sala Mendoza in Caracas. He discusses how Zuloaga pursues [...]
    ICAA Record ID: 1102396

  • Lo fundamental es inventar, Claudio Perna : Este domingo expondrá más de cincuenra dibujos en la Sala Mendoza
    Comerlati, Mara, 1952-
    In this newspaper article Mara Comerlati reviews Re-presentaciones: foto-grafías y acupinturas, the exhibition of works by Claudio Perna at the Sala Mendoza (Caracas, 1981). Comerlati discusses the situation of this artist who, after spending many [...]
    ICAA Record ID: 1068403

  • 11 Tipos : arte en Venezuela en los años setenta
    Palenzuela, Juan Carlos, 1954-
    In the book 11 tipos. Arte en Venezuela en los años setenta, the researcher Juan Carlos Palenzuela makes an exhaustive study of Venezuelan art in the1970s, a time when conceptual art was unquestionably being produced in that country. The author [...]
    ICAA Record ID: 1051955