Documents of Latin American and Latino Art

This essay was written by the artist Rosemberg Sandoval as the introduction to the exhibition catalogue Dibujos sobre lona, video e instalación, Rosemberg Sandoval that was organized by the Galería Casas Riegner in 2009. In his essay, Sandoval [...]

This text by Colombian curator and critic Miguel González was among the materials included in the catalogue Rosemberg Sandoval reflexionarte X Festival Internacional de Arte de Cali, published in 2001 in conjunction with an event sponsored by the [...]

The Colombian artist Rosemberg Sandoval took part in the Simposio sobre la situación social, política y artística en Colombia [Symposium on the Social, Political, and Artistic Situation in Colombia], organized by the Fundación Daros Latinamerica [...]

This is the published record of the conversation that ensued when Hans-Michael Herzog, the curator of the Fundación Daros Latinamerica [Daros Latinamerica Foundation] interviewed Rosemberg Sandoval. The interview shows how the Colombian artist’s [...]

The article PerfoArtNet. Encuentro Internacional de Performance [PerfoArtNet: International Performance Meeting], written by Ricardo Arcos-Palma was published in the Vistazos Críticos [Critical Views] section of the online edition of the Colombian [...]

This article by Juan David Medina, a member of the Helena Producciones art group, addresses the debate prompted by the III Festival de Performance [Third Festival of Performance Art] held in October 1999 at the Museo de Arte Moderno La Tertulia, a [...]

In this text, Carlos Jiménez, a Colombian journalist who lives in Spain, recounts a chance encounter in Madrid with Spanish artist Santiago Sierra a few days after he took part in the fifth  Festival de Performance de Cali (2002), held at the Museo [...]

In this article, visual artist Humberto Junca provides a powerful critical analysis of Rosemberg Sandoval’s solo exhibition, entitled Acciones Políticas, held at Casas Riegner gallery in Bogotáin 2008. The author divides the text into three [...]

This article by the Colombian critic and curator Eduardo Serrano is divided into three parts. In the first part, Serrano provides a historical account of the events and artists that, from 1972 through 1982, helped to introduce performance art to [...]