Name Descriptor: Galería Belarca (Bogotá, Colombia)×
  • [El dibujo y el grabado han contando en el arte colombiano...]
    Serrano, Eduardo, 1939-
    1976
    The text, ¡Al Fin Pintura! (1976) [Painting, at Last!] was an introduction to the exhibition with the same name at the Galería Belarca in Bogotá, organized by Eduardo Serrano. This art critic emphasizes the acceptance of the drawing and the print [...]
    ICAA Record ID: 1099111

  • [El nuestro - y es necesario decirlo ene veces- es un arte...]
    Ruiz Gómez, Darío, 1936-
    1979
    Darío Ruiz Gómez introduces the exhibition Darío Jiménez: Obras 1942-1979 [Darío Jiménez: Works 1942-1979] at the Galería Belarca in Bogotá. In this essay Ruiz Gómez states that Colombian art lives off “institutionalized aesthetic truths [...]
    ICAA Record ID: 1099246

  • Del Villar : la fiesta seria
    Traba, Marta
    1975
    The art critic Marta Traba wrote the introductory essay in the catalogue for the exhibition of works by the artist Hernando del Villar that opened at the Galería Belarca April 29, 1975. Traba describes the paintings as festive, decorative, and [...]
    ICAA Record ID: 1105111

  • Introducción
    Serrano, Eduardo, 1939-
    1976
    Un lustro visual: Ensayos sobre arte contemporáneo colombiano [Five Years of Visual Art: Essays on Contemporary Colombian Art] (1976) is a collection of articles published by the art critic Eduardo Serrano in newspapers, magazines, and exhibition [...]
    ICAA Record ID: 1076577

  • Los años setentas : y el arte en Colombia
    Serrano, Eduardo, 1939-
    1980
    In the article “Los años setentas y el arte en Colombia,” written for the Medellín-based magazine, Re-Vista del Arte y la Arquitectura en América Latina, art critic and curator Eduardo Serrano Rueda takes stock of the Colombian art scene in [...]
    ICAA Record ID: 860458

  • Salcedo : un artista vivo e independiente
    1972
    Thisinvitation to an exhibition of recent works by Colombian artist Bernardo Salcedo at the Galería Belarca in Bogota gathers texts by different critics that defend or explain Salcedo’s work, placing it in the context of the art world. These [...]
    ICAA Record ID: 1089901