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Representación y soporte material in memoriam Walter Benjamin
1981In the paper, “Representación y soporte material: In Memoriam a Walter Benjamin” [Representation and Medium: In Memoriam to Walter Benjamin], the Peruvian writer, Mirko Lauer, develops a general thesis on Abstract art based on historical [...]ICAA Record ID: 1098871 -
The museum and the street
2000In this essay, art historian Marimar Benitez applies Walter Benjamins’s concept of the “aura” of the work of art, and its reduction in the age of mechanical reproduction to the assumed role of the museum as a religious temple of art. Comparing [...]ICAA Record ID: 842787 -
La escritura sobre la fotografía : campo referencial fuera de campo
1998This essay by Alberto Madrid is on the exhibition Fotografía: intervenciones, cruces y desvíos. His play of words “field of reference out of field” emerged in the essay questioning the bibliographic references with which [...]ICAA Record ID: 767268 -
[¿Tiene el arte un lugar?...]
1982Néstor García Canclini, the anthropologist, professor, and cultural studies theoretician, interprets León Ferrari’s blue-printed and photocopied works, using the “aura” concept that was proposed by Walter Benjamin. He also underscores the [...]ICAA Record ID: 744316 -
Texto legible y texto visible
1981Miscellaneous articles and references to art in Chile during the Pinochet dictatorship (1973–89). The publication provides quotes from multiple sources, including members of the Chilean art world at the time and their theoretical-literary [...]ICAA Record ID: 732022