Documents of Latin American and Latino Art

This newsletter announces that a group of Argentinean artists will show their works at the tenth edition of the Sigma Festival in the city of Bordeaux, in southwestern France. The article provides a list of participating artists and includes pictures [...]

Cover and listing of artists who participated in the exhibition 7 pintores abstractos [Seven Abstract Painters], held at Galería Pizzarro in Buenos Aires from October 1 to 19, 1957. Essentially, it brings to the fore a singular grouping in the 1950s [...]

Poet Julio Llinás writes about the works of Marta Peluffo (Galería Peluffo, 1958) by analyzing her desperation brought about by her “innermost explosion.” Most of all because it happens at the core of a modern art with its [...]

Regulations stating both which are the invited artists and the value of the prizes and norms that will be ruling the presentation of the artworks; this includes the materials to be attached and the deadlines [...]

This text presents each of the artists who represented Argentina in the VII Biennial of São Paulo (1963). It briefly describes the characteristics of their work and identifies the variety of visual arts languages and the subtlety that “califica a [...]

This is from the catalogue of the Nuevo Arte de la Argentina [New Art of Argentina] exhibition (Buenos Aires: Instituto Torcuato Di Tella, February 18 through March 8, 1964). The document explains that the goal of the exhibition was to present, in [...]

This document is a critical text that analyzes the rise of the group Siete Pintores Abstractos [Seven Abstract Painters]. The group was formed in 1957 without any previous theoretical proposals. The text emphasizes that in this case, and in contrast [...]

Kenneth Kemble writes about the collective art exhibition at Galería Bonino (Buenos Aires) by artists Martha Peluffo, Jorge de la Vega, Juan C. Badaracco, and Rómulo Macció. He introduces them as the new academy of good taste, [...]