-
[Letter] Enero 1930, París, Francia [to] José Cuneo y Bernabé Michelena
1930In 1930, Wladimir Raykis (director of Galerie Zak in Paris) sent this letter inviting Uruguayan artists José Cúneo and Bernabé Michelena to exhibit at his exhibition venue which promoted Latin American art between the wars. The dialogue and [...]ICAA Record ID: 1233623 -
La exposición del Subte a beneficio de Chile es una Revelación Histórica
1939This exhibition was organized by a group of independent artists associated with the AIAPE (Agrupación de Artistas, Intelectuales, Periodistas y Escritores) working with a recently created State agency, the Comisión Municipal de Cultura. All parties [...]ICAA Record ID: 1225245 -
Las artes plásticas de 1936 a 1939
1939The painter Carmelo de Arzadun wrote this critical review of the exhibitions held in Uruguay from 1936 to 1939, a period that was defined by effervescent creativity and a lively calendar of artistic events. The exhibition of works by French artists, [...]ICAA Record ID: 1224706 -
Michelena- Escultor
1939On the occasion of Bernabé Michelena’s exhibition at the Subte de Montevideo (1939), Emilio Oribe, the writer and co-founder of the AIAPE (Agrupación de Intelectuales, Artistas, Periodistas y Escritores), conducted a lecture in which he discussed [...]ICAA Record ID: 1223386 -
Bernabé Michelena, escultor
1925Chapter V of the book Teseo Discusión Estética y Ejemplos […] by the critic Eduardo Dieste, titled “Bernabé Michelena, escultor,” is devoted to a discussion about Michelena’s sculptural work, which the author associates with a new [...]ICAA Record ID: 1220780 -
Bernabé Michelena y la claridad solidaria
1937The essay “Bernabé Michelena y la claridad solidaria” is the third chapter of the book Arte Simple, published in 1937 by the Uruguayan essayist Cipriano S. Vitureira. The author evaluates the sculptural work of Michelena at a time when the [...]ICAA Record ID: 1220692 -
Emoción ante Barradas
1937The first chapter of the book Arte Simple (1937) by Cipriano Vitureira focuses on a period in the work of Rafael Barradas in which he concentrated on representations of archetypical country figures and/or workers. The series is known as Los Magní [...]ICAA Record ID: 1218884 -
Declaración de principios de la C.T.I.U
1933The Union of Visual Artists was part of the structure of the C.T.I.U. (Confederación de Trabajadores Intelectuales del Uruguay [Confederation of Intellectual Workers of Uruguay]) federation created in Montevideo at the request of David Alfaro [...]ICAA Record ID: 1216968 -
Salón de Bellas Artes de ayuda a los niños de España Republicana
1938The exhibition “Salón de Bellas Artes de ayuda a los niños de España republicana” was the first political event of this kind organized in support of the children in the Second Spanish Republic (1931–39). It consisted of an exhibition and a [...]ICAA Record ID: 1186907