Name Descriptor: Dias, Antônio, 1944-×
  • [A idéia da G-4]
    Gerchman, Rubens, 1942-2008
    1978
    The artist Rubens Gerchman discusses Pare, the exhibition he jointly presented with Roberto Magalhães, Antonio Dias, Carlos Vergara, and Pedro Escosteguy at the G-4 gallery in Rio de Janeiro in April 1966. Gerchman explains that the exhibition [...]
    ICAA Record ID: 1110583

  • [O meu interesse pelo livro de artista...]
    Dias, Antônio, 1944-
    1985
    In this essay Antonio Dias explains his interest in producing artist’s books, and lists some of his publications. He indicates his preference for projects that require a great deal of knowledge about printing techniques, and mentions his penchant [...]
    ICAA Record ID: 1110586

  • A trilha da trama
    Duarte, Paulo Sérgio
    1979
    This book, from the ABC—Arte Brasileira Contemporânea—collection published by FUNARTE, is about Antônio Dias. The book was written by the critic Paulo Sergio Duarte, who suggests that the artist’s work shattered standards and showed that [...]
    ICAA Record ID: 1111067

  • Cinema de Artista: 16a. Bienal de S. Paulo
    Canongia, Ligia; Freitas, Iole de, 1945-; Mejía, Adolfo, 1905-1973
    1981
    This is the script that was used to introduce the films shown at the Cinema de Artista during the sixteenth Bienal de São Paulo in 1981. The critic Ligia Canongia and the visual artist Iole de Freitas wrote what is essentially a synopsis of the [...]
    ICAA Record ID: 1110614

  • Da tôrre de marfim à tôrre de Babel
    Restany, Pierre
    1964
    Pierre Restany introduces the exhibition of works by Antonio Dias, making a clear distinction between this artist’s generation and the one that came before him, and identifying this one’s confident optimism and innovative approach coupled with an [...]
    ICAA Record ID: 1110512

  • Do mundo, a América Latina. Entre as geometrias, a sensível
    Pontual, Roberto, 1939-
    1978
    This essay posits the concept of “geometría sensível” [Sensitive Geometry] as one of the unitary characteristics of contemporary Latin American art, and notes the growing interest (within the region and further afield) in the art produced in [...]
    ICAA Record ID: 771399

  • Importância de Antônio Dias
    Barata, Mário
    1967
    In this text, Mário Barata discusses the production of Antonio Dias and how it fits into the European art market. He mentions certain formal characteristics of the work, such as confidence in the organization of planes and spaces, the use of [...]
    ICAA Record ID: 1110513

  • Uma arte brasileiro/latino-americana
    Gerchman, Rubens, 1942-2008
    1973
    While living in New York, Rubens Gerchman announced that he would no longer paint, and began producing objects instead. Nonetheless drawing continued to be his starting point. Throughout his text, he offers observations on the arts scene of the city [...]
    ICAA Record ID: 1111052