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¿Y por qué no? : algunas pistas sobre el concepto de producción y consumo del arte religioso popular
1990This text, written by the anthropologist Juan Ignacio Castillo at the time of the 3rd Bienal Salvador Valero de Arte Popular (Trujillo, 1991), is a commentary on popular religious imagery and its use in different social contexts and strata. The [...]ICAA Record ID: 1166350 -
Algunas consideraciones generales acerca de la situación actual de la plástica popular venezolana
1988Perán Erminy discusses popular art in Venezuela during the II Bienal Nacional Salvador Valero de Arte Popular held in Trujillo (estado Trujillo) in 1988. He also looks back, to colonial times and the early twentieth century. Erminy recalls the first [...]ICAA Record ID: 1172494 -
Bienal Salvador Valero : la alternativa a contracorriente
1999In this text for the sixth Bienal Salvador Valero de Arte Popular (Trujillo, 1999), Aníbal Ortizpozo reflects on the status of folk art in Venezuela, where, in his judgment, it has been relegated to the second tier in comparison to the so-called “ [...]ICAA Record ID: 1166334 -
Un espacio para la plástica contemporánea del venezolano común
1987Supported by theories of folk art that are backed by authors such as Néstor García Canclini and Francisco Da Antonio, the author, Francisco Prada, defends this genre through the formulation of a definition that affords it dignity and examines it in [...]ICAA Record ID: 1166318