Name Descriptor: Camargo, Iberê×
  • [Los primeros testimonios sobre el Brasil surgieron en forma de grabados...]
    Silva, Alberto da Costa e, 1931-
    The text by Brazilian author Alberto Da Costa e Silva for the exhibition “9 grabadores del Brasil” [Nine Engravers of Brazil] (Museo de Bellas Artes, Caracas, 1968) presents an expansive view of the history and evolution of engraving in the [...]
    ICAA Record ID: 1156704

  • Depoimentos : Iberê Camargo
    Yoschpe, Evelyn
    In this statement, Iberê Camargo recalls how the third Salão Nacional de Arte Moderna, also known as the Salão Preto e Branco (Black-and-White Salon), was planned as a protest against the Brazilian Finance Minister Osvaldo Aranha& [...]
    ICAA Record ID: 1307754

  • Depoimentos : Ione Saldanha
    Interlenghi, Luiza
    In this text, Ione Saldanha recalls how the third Salão Nacional de Arte Moderna, known as the Salão Preto e Branco (Black-and-White Salon), influenced both her work and Brazilian modernism more broadly. She remembers having works in [...]
    ICAA Record ID: 1307774

  • Entrevista com Iberê Camargo
    Martins, Carlos; Martins, Marcos André; Camargo, Iberê
    In this review, Iberê Camargo affirms that his painting never ceased to be “figurative,” and that it was governed by reality (either of movement or of gesture). Regarding engraving, the artist underscores the resistance that the materials used [...]
    ICAA Record ID: 1110420

  • Iberê Camargo
    Camargo, Iberê; Cocchiarale, Fernando França; Geiger, Anna Bella
    The artist Iberê Camargo is interviewed a trois by the art critic Fernando Cocchiarale and the artist Anna Bella Geiger. In response to their questions, Camargo reviews his art career and discusses what was going on in Brazil during the 1950s and [...]
    ICAA Record ID: 1110415

  • Iberê Camargo : o poder do gesto
    This interview with Iberê Camargo published by Cultura magazine in 1972 is preceded by an introduction to the artist that includes biographical and professional information. They record his studies at the Escola de Artes e Ofícios at the Santa [...]
    ICAA Record ID: 1110416

  • Na pintura, a arte plena de Iberê
    Gullar, Ferreira, 1930-
    In this review, Ferreira Gullar describes the one-man show of works by Iberê Camargo at the Acervo gallery in Rio de Janeiro (1981). No invitation was issued, and no catalogue was printed for the exhibition that displayed a selection of the artist [...]
    ICAA Record ID: 1110417

  • O sentido da alquimia de Iberê Camargo
    Zielinsky, Mônica
    This text argues that Iberê Camargo’s prints are fundamental to his art and to understanding the specificity of his technique. The artist’s energetic experimentation with variations in materiality is evident in his prints. The text underscores [...]
    ICAA Record ID: 1110421

  • Trágico moderno
    Brito, Ronaldo
    In this chapter of his book, Ronaldo Brito discusses the work of the painter Iberê Camargoin during the early days of his career in the 1940s. Brito mentions the painter’s involvement with his pictorial material and the expressive savagery of his [...]
    ICAA Record ID: 1110423