Name Descriptor: Carvallo, Feliciano×
  • Visita al XIX salón de arte venezolano
    Erminy, Perán
    In his review of the XIX Salón de Arte Venezolano (1958), the critic Perán Erminy notes the ingenious reliance on historical criteria in the arrangement of works selected for the event, from the old landscape masters to the new style of Abstract [...]
    ICAA Record ID: 1172221

  • Un espacio para la plástica contemporánea del venezolano común
    Prada, Francisco Elías, 1958-
    Supported by theories of folk art that are backed by authors such as Néstor García Canclini and Francisco Da Antonio, the author, Francisco Prada, defends this genre through the formulation of a definition that affords it dignity and examines it in [...]
    ICAA Record ID: 1166318

  • Introducción : del arte ingenuo al arte popular
    Da Antonio, Francisco, 1930-
    In 1988, on the occasion of the Primer Salón Nacional Cervecería de Oriente: Arte ingenuo, pintura y talla populares (Barcelona, state of Anzoáteguí), critic Francisco Da Antonio ponders concepts like “naive art,” “popular art,” and “ [...]
    ICAA Record ID: 1164485

  • El XVIII salón de arte venezolano
    This anonymous text provides a detailed review of the rooms and halls of the Museo de Bellas Artes (Caracas) containing the works of the XVIII Salón Oficial de Arte Venezolano (1957). The works, according to the author, were grouped in the space by [...]
    ICAA Record ID: 1161294

  • Feliciano Carvallo : pintor primitivo de Naiguatá
    Grillet, Victor Alberto, 1920-1976
    In this article, Víctor Alberto Grillet introduces Feliciano Carvallo as a “primitive artist,” discovered a year earlier by the painters Louys Rawlinson and Alirio Oramas and the Cuban writer María Luisa Gómez Mena in a small village on the [...]
    ICAA Record ID: 1101917

  • Introducción
    Erminy, Perán
    In this critical essay introducing the book Pintores populares de Caracas, Perán Erminy explains his view of the problems of the valorization and understanding of vernacular art. The author clarifies that he was not responsible for the selection of [...]
    ICAA Record ID: 1101588