Name Descriptor: Manaure, Mateo×
  • [Un signo positivo de esta generación de pintores...]
    Chataing, Bernardo
    1948
    In Bernardo Chataing’s preface, he explains that the Taller Libre de Arte (TLA) invited young painters to participate in its exhibition, which would hold them responsible for creating new art forms. In turn, this would generate multiple trends. The [...]
    ICAA Record ID: 1101666

  • Ciudades Universitarias México y Caracas
    Torre, Guillermo de, 1900 -1971
    1968
    This essay by the Spanish writer Guillermo de Torre is divided into two separate sections. The first is about the Universidad Nacional Autónoma de México (located in Mexico City, in Valle del Pedregal de San Ángel), a project in which several [...]
    ICAA Record ID: 1172362

  • Desde el lector
    Guevara, José Luis, 1954-
    1994
    This essay by the Venezuelan researcher José Luis Guevara was published in the catalogue for the exhibition Un lector, algunos diseñadores gráficos, una década, at the Museo de Bellas Artes in Caracas. Guevara reviews the work of six Venezuelan [...]
    ICAA Record ID: 1156656

  • El color a través de Mateo Manaure
    Carnevali, Gloria
    1977
    Here, Gloria Carnevali gathers the statements made by Mateo Manaure about his series Columnas policromadas. Throughout the text, the Venezuelan painter addresses the different elements of expression on which he bases his approach: repetition of a [...]
    ICAA Record ID: 1155499

  • La creación estético - visual en Mateo Manaure
    Guédez, Víctor
    1982
    The critic Víctor Guédez discusses the Venezuelan painter Mateo Manaure’s career, which is characterized by radical changes in his artistic language from one phase to another. Guédez defines the process of creation as being less evolutionary [...]
    ICAA Record ID: 1155531

  • Las imágenes poéticas de Manaure
    Erminy, Perán
    1965
    Critic Perán Erminy reflects on Mateo Manaure’s Pinturas sobremontaje. After describing the Venezuelan painter’s body of work as “unclassifiable,” Erminy discusses Manaure’s unique vision in relation to his creative effort at the time of [...]
    ICAA Record ID: 1156523

  • Manaure : columnas en tierras movedizas
    Guevara, Roberto, 1932-1998
    1997
    In this text, Roberto Guevara provides a brief critical overview of Venezuelan artist Mateo Manaure’s artistic development. In Manaure’s case, Guevara explains, it is difficult to apply the idea that all aspects of an artist must be taken into [...]
    ICAA Record ID: 1155515

  • Manaure : Interacción de mitos
    Calzadilla, Juan, 1931
    1989
    In this text, the critic Juan Calzadilla develops his thoughts on the collages created by the Venezuelan painter Mateo Manaure. His analysis considers the start of the integration of photography into the visual arts in the early twentieth century. [...]
    ICAA Record ID: 1156811

  • Manaure y la inmensa noche
    Guevara, Roberto, 1932-1998
    1965
    The critic Roberto Guevara comments on Mateo Manaure’s pinturas sobremontaje. In the critic’s opinion, this series represents one of the artist’s most noteworthy contributions, after his achievements in the field of geometric abstract art, [...]
    ICAA Record ID: 1156411

  • Manaure y las Cuvisiones
    Guevara, Roberto, 1932-1998
    1969
    In this essay, the critic Roberto Guevara reviews the Venezuelan painter Mateo Manaure’s career, referring to his different stages and radical changes. Guevara discusses Manaure’s abstract, surrealist, and informalist works over the course of [...]
    ICAA Record ID: 1156459

  • Mateo Manaure
    Diehl, Gastón, 1912-
    1954
    In this text, French critic Gaston Diehl discusses the work of Venezuelan painter Mateo Manaure, specifically the group of works featured in the show Collages held at Galería Cuatro Vientos in 1954. Diehl praises the small and “humble” works in [...]
    ICAA Record ID: 1156491

  • Mateo Manaure
    Calzadilla, Juan, 1931
    1967
    In this volume, Juan Calzadilla provides an overview of Venezuelan painter Mateo Manaure’s artistic development. After an initial reflection on the poetic as a constant in Manaure’s art, he analyzes the different stages of his work: his early [...]
    ICAA Record ID: 1156542

  • Mateo Manaure dice adiós al arte por el arte : el reencuentro con la figuración
    Yepes, Esteban
    1981
    Journalist Esteban Yepes interviews Mateo Manaure for his exhibition Mirar a América [Look to America], which signals his return to figurative [art]. The Venezuelan painter discusses the need to express himself in a new language, but clarifies that [...]
    ICAA Record ID: 1155547

  • Mateo Manaure en el Museo de Bellas Artes
    Boulton, Alfredo, 1908-1995
    1956
    In this text, Alfredo Boulton considers the works by Venezuelan painter Mateo Manaure on exhibition at the Museo de Bellas Artes. After discussing Manaure’s participation in projects that engage architecture, Boulton examines the specific [...]
    ICAA Record ID: 1157497

  • Mateo Manaure en la pintura : un joven pintor venezolano, en viaje hacia París
    Otero, Alejandro, 1921-1990
    1950
    In the first part of this essay Alejandro Otero, a member of Los Disidentes—the group formed by young Venezuelan artists living in Paris—discusses the young painter Mateo Manaure’s experiences since he left Caracas and came to the French [...]
    ICAA Record ID: 813639

  • Mateo Manaure o la autenticidad pictórica americana
    Lhaya, Pedro, 1921-1983
    1967
    This interview by journalist Pedro Lhaya with artist Mateo Manaure contains remarks the artist made in the context of the exhibition Suelos de mi tierra. In his opening comments, Lhaya describes the work of the Venezuelan painter as the expression of [...]
    ICAA Record ID: 1156443

  • Mi obra de hoy : Mateo Manaure llega a los 50 años
    Alvarenga, Teresa
    1976
    Journalist Teresa Alvarenga interviews painter Mateo Manaure on the occasion of his fiftieth birthday. The artist recounts his life story, starting with his first job in 1941. He describes how he got involved in the world of printing and graphic art [...]
    ICAA Record ID: 1156427

  • Pintores Venezolanos se retiran de la Bienal de México en protesta por la detención de Alfaro Siqueiros
    1960
    This unsigned newspaper article [dated September 2, 1960,] comments on the detention in México of the painter David Alfaro Siqueiros. As a result, 90 Mexican visual artists withdrew from participating in the Second [Inter-American] Painting and [...]
    ICAA Record ID: 1102412

  • Pintura y escultura en la Ciudad Universitaria de Caracas
    1961
    “Luis Navarro” (possibly a pseudonym of the author) meticulously describes the participation of each one of the artists involved in the arts integration project led by architect Carlos Raúl Villanueva at the Ciudad Universitaria of Caracas. [...]
    ICAA Record ID: 864255

  • Sobremontajes de Manaure
    Calzadilla, Juan, 1931
    1965
    In this text, Juan Calzadilla critically reflects on Mateo Manaure’s “pinturas sobremontaje” conceived as a combination of painting and photography. In Calzadilla’s view, these works represent continuity, rather than rupture, within Manaure [...]
    ICAA Record ID: 1156507

  • VII : Formas nuevas y sinceridad : Conceptos concretos sobre la pintura abstracta
    Otero Silva, Miguel
    1957
    Adopting a different tone from the one he used in his previous article (“El regreso a lo funcional y a lo decorativo”), Miguel Otero Silva assures his readers he has nothing against new trends in art; but he objects to the assumption that [...]
    ICAA Record ID: 856923

  • Visita al XIX salón de arte venezolano
    Erminy, Perán
    1958
    In his review of the XIX Salón de Arte Venezolano (1958), the critic Perán Erminy notes the ingenious reliance on historical criteria in the arrangement of works selected for the event, from the old landscape masters to the new style of Abstract [...]
    ICAA Record ID: 1172221