Name Descriptor: Sosa, Antonieta, 1940-×
  • ¿Y por qué no?
    Sosa, Antonieta, 1940-
    1995
    In the design ¿Y por qué no?, the artist Antonieta Sosa describes the action planned in detail. As she states it, this work consists of placing wine glasses on different parts of her body so that they will drop and break. Added to the sound of [...]
    ICAA Record ID: 865572

  • Antonieta Sosa : la medida de lo personal
    Hernández, Carmen, 1963-
    2007
    In this text, Chilean-born curator Carmen Hernández examines the work of Venezuelan artist Antonieta Sosa included in the group show, Desde el cuerpo: alegorías de lo femenino. In Hernández’s view, Sosa’s work upholds the idea of the feminine [...]
    ICAA Record ID: 1155378

  • Antonieta Sosa: Antropometrías de la casa
    Pérez Oramas, Luis, 1960-
    2000
    In this essay about Cas(A)nto, the installation by Antonieta Sosa at the Museo de Bellas Artes, Caracas, Luis Enrique Pérez-Oramas describes the Venezuelan artist as the heir to the Latin American Abstract-Constructive tradition, and a member of the [...]
    ICAA Record ID: 1157705

  • Del cuerpo al vacío : una situación de Antonieta Sosa
    Sosa, Antonieta, 1940-
    1985
    In this gallery text, Venezuelan artist Antonieta Sosa describes the action Del Cuerpo al Vacío [From My Body to the Void], which was structured into three interrelated parts. Part I, performed in the courtyard of the Galería de Arte Nacional (GAN [...]
    ICAA Record ID: 865819

  • El espacio y el tiempo en cas(a)nto
    Sosa, Antonieta, 1940-
    2000
    In this text, the Venezuelan artist Antonieta Sosa describes the contents of her installation Cas(A)nto (Caracas: Museo de Bellas Artes, 2000). She takes two of her obsessions, “the internal and the external” and uses these opposites to work [...]
    ICAA Record ID: 1157689

  • La caverne moderne : histoires de pénétrables
    Pérez Oramas, Luis, 1960-
    2000
    In this essay, Luis Enrique Pérez Oramas analyzes a fragment of modern Latin American art history, presented through the form of “penetrable” works. The critic describes the development of the form with respect to its representation as [...]
    ICAA Record ID: 1159720

  • Los múltiples tránsitos de cas(a)nto
    Hernández, Carmen, 1963-
    2000
    In this essay, the curator Carmen Hernández reviews Cas(A)nto, the multimedia installation by Antonieta Sosa at the Museo de Bellas Artes de Caracas in 2000. Hernández discusses the artist’s career since her constructive painting in the 1960s [...]
    ICAA Record ID: 1157721

  • Otras dimensiones del papel
    Herrera, José Ignacio, 1956-
    1991
    This is José Ignacio Herrera’s essay about the works on paper (or in which paper plays a key role) created by three of the four participants in the exhibition Uno, Dos, Tres, Cuatro (Caracas: Museo de Bellas Artes, 1991): Héctor Fuenmayor, [...]
    ICAA Record ID: 1065785

  • Una persona silenciosa que se autoexpone descaradamente
    Ramos, María Elena, 1947-
    2000
    Curator María Elena Ramos interviews Antonieta Sosa in the framework of the exhibition of her installation Cas(a)anto at the Museo de Bellas Artes, Caracas. Ramos introduces the dialogue with a brief description of the concept of “self-monitoring [...]
    ICAA Record ID: 1157737

  • Uno, dos, tres, cuatro
    Carvajal, Rina
    1991
    This essay by curator Rina Carvajal was written for Uno, Dos, Tres, Cuatro, an exhibition featuring Venezuelan artists Alfred Wenemoser, Héctor Fuenmayor, Roberto Obregón, and Antonieta Sosa held at the Museo de Bellas Artes in Caracas in 1991. [...]
    ICAA Record ID: 1097310