Name Descriptor: Miró Quesada Garland, Luis×
  • ¿es la pintura moderna respecto de la clásica, culminación o retroceso?
    Miró Quesada Cantuarias, Francisco, 1918-
    In response to the question in the survey published by the Lima newspaper El Comercio as to whether “modern” painting is an improvement on “classical” painting or a step back, the various respondents agreed that different styles from [...]
    ICAA Record ID: 1137431

  • Dudas y creencias sobre el arte contemporáneo
    Mejía, Jorge
    1950
    This open letter from journalist Jorge Mejía to architect Luis Miró Quesada Garland indicates, to some extent, the terms in which abstract art was questioned when it first emerged in Peru. Mejía ventures a classification of forms of artistic [...]
    ICAA Record ID: 1138852

  • El Festival Americano de Pintura
    Meza, Luis Antonio, 1931-
    1966
    In this essay, the author—Luis Antonio Meza—states that the prize for the Festival Americano de Pintura was three thousand dollars and that the jury was composed by the Argentinean critic Jorge Romero Brest, the Venezuelan collector Inocente [...]
    ICAA Record ID: 1142611

  • El Perú, ¿noción política?
    Salazar Bondy, Sebastián
    1955
    This text is Sebastián Salazar Bondy’s response to the criticism of artistic nationalism voiced by architect Luis Miró Quesada Garland in El Comercio newspaper (Lima, September 18, 1955) [see in the ICAA digital archive “En blanca y negra” ( [...]
    ICAA Record ID: 1138736

  • En la cultura : no son todos los que están ni están todos lo que son : un Festival Americano de Pintura que debe ajustarse
    1966
    This newspaper article is about the first Festival Americano de Pintura, organized by the IAC (Instituto de Arte Contemporáneo) and the Asociación Cultural Jueves as part of the Festivales de Lima. The article quotes the Argentinean critic and [...]
    ICAA Record ID: 1142722

  • Entorno al desarraigo
    Salazar Bondy, Sebastián
    1954
    In this text, Sebastián Salazar Bondy reflects on what he views as the unquestionable ties between an artist and his country. For the author, a sense of uprootedness, rather than physical distance, is what causes the artist to become disengaged from [...]
    ICAA Record ID: 1138565

  • Lo que niega un cosmopolita
    Salazar Bondy, Sebastián
    1955
    This text is writer Sebastián Salazar Bondy’s response to the criticism of artistic nationalism voiced by Luis Miró Quesada Garland in El Comercio newspaper (Lima, September 25, 1955) [see in the ICAA digital archive “En blanca y negra” ( [...]
    ICAA Record ID: 1151027

  • Punto final
    Salazar Bondy, Sebastián
    1954
    This text is essayist Sebastián Salazar Bondy’s response to the ironic comments that architect Luis Miró Quesada Garland published in “En blanca y negra,” his column in the Lima-based newspaper El Comercio, on July 25, 1954. In his text, Mir [...]
    ICAA Record ID: 1138231

  • Puntos de vista : el mural de Teodoro Núnez Ureta
    Pérez Luna, Edgardo, 1928-1984
    1954
    In this letter defending nationalism and figurative art, Edgardo Pérez Luna attacks the comments of Luís Miró Quesada Garland, specifically, Garland’s opinion on abstract artwork by Jean Dewasne and Teodoro Núñez Ureta’s mural in Peru’s [...]
    ICAA Record ID: 865055

  • Sobre el significado del arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In this article Francisco Miró Quesada Cantuarias replies to the comments made by Luis Miró Quesada Garland (El Comercio, Lima, August 14, 1955) as part of the debate prompted by the latter’s conclusions concerning the newspaper’s survey about [...]
    ICAA Record ID: 1137729

  • Sobre el significado del arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    This time the argument is about the expression “significant painting,” which the author Francisco Miró Quesada Cantuarias contrasts with the term “abstract painting.” He claims that the former has a logical or scientific meaning, which his [...]
    ICAA Record ID: 1226970

  • Sobre la influencia social en el arte
    Miró Quesada Cantuarias, Francisco, 1918-
    1955
    In response to the aesthetic opinions expressed by the architect Luis Miró Quesada Garland, who vehemently denied any influence between society and art, the author states that it is obvious that “the great art movements have had an influence on [...]
    ICAA Record ID: 1137629

  • Sobre un arte integral : punto final
    Valle, Alejandro Romualdo, 1926-2008
    1955
    This text is Alejandro Romualdo Valle’s final round in the debate he carried on with Luis Miró Quesada Garland about the first prize at the Second Salón Moncloa, awarded to the painting Pan by Alfredo Ruiz Rosas. The writer considers the [...]
    ICAA Record ID: 1227176

  • Sobre un arte integral (respuesta al arquitecto Luis Miró Quesada G.)
    Valle, Alejandro Romualdo, 1926-2008
    1955
    In this article, the writer responds to the comments of Luis Miró Quesada Garland, defending the use of the category “integral art.” He defines this term as a fusion of different trends into “a new creative orientation” structured under a [...]
    ICAA Record ID: 1227139

  • Tierra de nadie
    Rios, Juan, 1914-1991
    1954
    In this text, writer Juan Ríos remarks on the Surrealist exhibition held at the Galería de Lima in July 1954. In his view, Surrealism is outdated. Initially an iconoclastic movement, it has, over the course of several decades that witnessed a [...]
    ICAA Record ID: 1138638