Documents of Latin American and Latino Art

The article reports that “Italian art critic and poet Enrico R. Comi, director of the magazine/book Spazio Humano [Human Space] during the XII Jornadas Internacionales de la Crítica [12th International Symposium of Criticism] in Buenos Aires “ [...]

This text by Fabián Lebenglik describes and interprets the work of Liliana Maresca; it was included in the catalog for the Liliana Maresca. Recoleta exhibition that took place at the Centro Cultural Recoleta, from November 27 to December 16, 1990. [...]

This text is a brief summary of the characteristics of the works by the artists Santiago Spinosa, José Garófalo and Edgardo Lamelas, whom the author describes as “three young artists who are in the launching stage, consolidating their images with [...]

In this document Fabián Lebenglik describes the characteristics of the work Agustín Inchausti presented in the exhibition Agustín Inchausti. Pinturas (Buenos Aires: Espacio Giesso, April 28–May 17, 1992); he compares it to the work he had been [...]

Under the guise of an interview with visual artist Sebastián Gordín, this article sets out to review the exhibition that he presented in 1992 at the entrance to the ICI (Instituto de Cooperación Iberoamericana [Institute for Iberian-American [...]

This article reviews a number of exhibitions, including Alfredo Londaibere’s show at the Centro Cultural Ricardo Rojas. The reviewer describes Londaibere’s work as “a nod to a variety of styles used in romantic landscape painting that includes [...]

In this article, Fabián Lebenglik reviews the Agustín Inchausti. Pinturas exhibition (Buenos Aires: Espacio Giesso, April 28–May 17, 1992). He describes the main traits of Inchausti’s work and compares it with what the painter had been doing up [...]

In this article, the art critic Fabián Lebenglik reviews Tutti fruti, the exhibition of works by the photographer Alberto Goldenstein at the Centro Cultural Ricardo Rojas (October–November 1991). He discusses the works and compares them, at a [...]

The article reviews the Harte, Pombo, Suárez III exhibition (Buenos Aires: Fundación Banco Patricios, from November 4–27, 1992). It describes the characteristics of the works presented by each one of the artists—Miguel Harte, Marcelo Pombo, and [...]

The text describes the Galería del Centro Cultural Ricardo Rojas as a “a mental place that presents the art that tunes in exactly with the current times,” mentioning that, “in spite of having a joke of a budget, the Rojas space became a [...]

The text informs about the curatorial characteristics, artists, and works that are presented at the exhibition organized by the Centro Cultural Recoleta (Buenos Aires), which is sponsored by Página/12 (Buenos Aires), under the title La vuelta [...]

The article announces: “beginning on Friday, December 7, the hall of Página/12 (Buenos Aires)…will function as a new place to showcase art. A way of betting on the visual art and that adds itself to the patronages that this daily has been [...]

Following the recent Benito Laren exhibition at the Centro Cultural Ricardo Rojas (Buenos Aires), the articles mentions the “discovery” of this “young” artist” that is “completely removed from the local art milieu.” Lebenglick mentions [...]

The article describes the characteristics of the works presented by Jorge Gumier-Maier in the Decoralia exhibition (Buenos Aires: Centro Cultural Recoleta, July, 1991). In his judgment, “the artist researches geometrical combinations and synthesis [...]

The article analyzes the situation of the Argentinean contemporary art scene. On one hand, the author states the lack of exhibition spaces available for young artists to show their work; except the Centro Cultural Ciudad de Buenos Aires, the CAyC, [...]

The article reviews the exhibition El Rojas presenta: Algunos Artistas [The Rojas presents: Some Artists] (Buenos Aires: Centro Cultural Recoleta, from August 26 to September 6, 1992).   He describes the Galería del Centro Cultural Ricardo Rojas [...]

The article describes the characteristics of the works by Fabián Burgos, Jorge Gumier-Maier, and Graciela Hasper presented in Nadar sobre la superficie [To Swim Over the Surface] (Buenos Aires: Espacio Giesso, November 6–23, 1991) and, at the same [...]

The article reviews the exhibition of Miguel Ángel Nigro and Graciela Hasper, developed in the hall of the Teatro de las Provincias, characterized by the author as a “place…doubly eccentric because of its location and the artists that it [...]

This is the exhibition catalog of Nadar sobre la superficie [To Swim over the Surface] (Buenos Aires: Espacio Giesso, November 6–11, 1991). The text presenting the show, written by Fabián Lebenglik, besides briefly describing the characteristics [...]