Documents of Latin American and Latino Art

The journalist Antonio Muiño (also known as “El Diablo Cojuelo”) interviewed Omar Carreño with the aim of acquainting the [Venezuelan] public with expansionism, an ongoing aesthetic movement that he was proposing from Paris. Outlining Carreño [...]

In this essay, Antonio Muiño Loureda reviews artistic syntheses that have occurred throughout history up to the industrial era, mentioning some of the most significant collaborations of this period. He describes different aspects of the project [...]