Documents of Latin American and Latino Art

This essay about the interview by Pablo Mañé Garzón with Ángel Kalenberg, the director of the IGE (Instituto General Electric de Montevideo [General Electric Institute of Montevideo), discussing the programs carried out by the institution that [...]

In this text, the painter, sculptor and art and music critic for the weekly Marcha, Pablo Mañé Garzón, criticizes the IX São Paulo Biennial and what he calls “the art of biennials” in general. He argues that art displayed on a mass scale in [...]

This unsigned article in the weekly Marcha, founded in 1939 and published through 1974, analyzes the occupation of the Subte Municipal exhibition space by visual artists that started on August 21, 1963. The article questions the arbitrary designation [...]