Creator: Parpagnoli, Hugo×
  • [El collage no se impuso todavía en Buenos Aires...]
    Parpagnoli, Hugo
    1962
    This text presents an argument in favor of collage as a visual arts medium in spite of the “poca importancia” [little importance] it had for the general public, as well as in regard to the disdain generated by the technique’s materials [...]
    ICAA Record ID: 758587

  • [Este prólogo para “Barbazul” tiene muy poco que explicar...]
    Parpagnoli, Hugo
    1966
    Hugo Parpagnoli declares that he does not have much to explain about Barbazul [Bluebeard]. Because it is only a story; the public should just go in and have fun. The exhibition evolves over time, like a theatrical play in which the spectator walks [...]
    ICAA Record ID: 766531

  • [Hay artistas que originan movimientos y hay movimientos que engendran artistas...]
    Parpagnoli, Hugo
    1967
    The foreword to this catalogue was written by Hugo Parpagnoli—the director of the Museo de Arte Moderno in Buenos Aires, at that time—highlights the important role played by Dr. Isidoro Slullitel, the private art collector. He was a rare [...]
    ICAA Record ID: 753467

  • [No estas aqui para gozar tus matices preferidos...]
    Parpagnoli, Hugo
    1962
    Hugo Parpagnoli introduced, with a brief text, the exhibition of the group Otra Figuración [Another Figuration] as the birth of a new language. Parpagnoli held that Otra Figuración assumed chaos—a key concept according to the theory of Noé, one [...]
    ICAA Record ID: 741539

  • [Se notaba la ausencia de Benedit en Buenos Aires...]
    Parpagnoli, Hugo
    1964
    Hugo Parpagnoli introduces Luis Benedit’s exhibition at the Galería Lirolay (Buenos Aires, December, 1964). Parpagnoli describes Benedit’s work in terms of windows that open onto a bright, cheerful world. He claims that, although Benedit has [...]
    ICAA Record ID: 765323

  • Arte nuevo y movimiento informalista
    Parpagnoli, Hugo
    1959
    Hugo Parpagnoli ponders both the Fifth Annual Exhibition of New Art at Galería Van Riel and the Informal Art trend show at Museo Sívori; both of which demonstrate how Informal art painting has captivated the new generation. Parpagnoli describes [...]
    ICAA Record ID: 741694

  • Artes Plásticas : dos pintores del concurso Di Tella
    Parpagnoli, Hugo
    1963
    This text by Hugo Parpagnoli analyzes the works presented by Luis Felipe Noé and Rómulo Macció. He states that the controversial atmosphere that arose from these works—awarded by the ITDT [Instituto Torcuato Di Tella]—proves that they were not [...]
    ICAA Record ID: 762225

  • Artes plásticas : dos pintores del concurso Di Tella
    Parpagnoli, Hugo
    1963
    Hugo Parpagnoli recounts the public controversy provoked by the Premio Di Tella awarded to the works of Luis Felipe Noé and Rómulo Macció, both members of the group Otra Figuración [Other Figuration]. Parpagnoli reflects that these works were [...]
    ICAA Record ID: 792447

  • Artes plásticas : Kenneth Kemble
    Parpagnoli, Hugo
    1960
    The critic Hugo Parpagnoli describes the ongoing condition of expression and the different processes undertaken by Kenneth Kemble throughout his career. In his opinion, Kemble’s recent works transform pre-manufactured objects into constituent [...]
    ICAA Record ID: 741643

  • Artistas Jóvenes en la Exposición Di Tella
    Parpagnoli, Hugo
    1961
    Hugo Parpagnoli comments on the works both by Argentinean artists and by Antoni Tàpies, presented by the Torcuato Di Tella Institute at the Museo Nacional de Bellas Artes [National Museum of Fine Arts]. In addition, the critic argues that, in regard [...]
    ICAA Record ID: 763938

  • Buenos Aires 64
    Parpagnoli, Hugo
    1964
    The text explains that the selection criteria for the artists appearing in the exhibition Buenos Aires 64 (New York: Pepsi-Cola Co., September 1964) was to show different vanguard groups’ expressions existing in Buenos Aires. It briefly describes [...]
    ICAA Record ID: 768114

  • Pintura informal
    Parpagnoli, Hugo
    1959
    Hugo Parpagnoli wrote about the exhibitions of Informalist painting in Buenos Aires, defining Informalism as an irrational attitude. On the other hand, the author explained how the viewer must behave while facing this new approach to painting [...]
    ICAA Record ID: 741681

  • Smith Kenneth Kemble
    Parpagnoli, Hugo
    1961
    Kenneth Kemble responds to Hugo Parpagnoli’s questions about his preferences between artistic media and between painting and collage. In particular, Kemble discusses the creative process throughout his oeuvre [...]
    ICAA Record ID: 741438

  • Textos del director del Museo de Arte Moderno de Buenos Aires Sr. Hugo Parpagnoli
    Parpagnoli, Hugo
    1963
    The director of the Museo de Arte Moderno de Buenos Aires [Buenos Aires Museum of Modern Art], Hugo Parpagnoli writes about the selection criteria and the organization of the Argentinean painting exhibition in Caracas (1963), a proposal in eight [...]
    ICAA Record ID: 766545