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La postfiguración
1982Guillermo Whitelow explains the origin of the La postfiguración exhibition at the Museo de Arte Moderno (Buenos Aires, 1982). He also aesthetically defines “postfiguration” by exploring the nexus between appearances and reality [...]ICAA Record ID: 780117 -
La propuesta hidroespacial de Kosice
1971This text by Guillermo Whitelow celebrates the power of visionary ideas—specifically, Gyula Kosice’s The Hydrospatial City [La ciudad hidroespacial]. The author compares The Hydrospatial City to the Tower of Babel as a genuine attempt “to reach [...]ICAA Record ID: 1274910 -
Palabras pronunciadas en la inauguración de la muestra Arte de Sistemas, el 19 de julio de 1971 por el director del Museo, profesor Guillermo Whitelow
1971The text reproduces the speech given by the director of the Museo de Arte Moderno, Guillermo Whitelow, during the opening of the Arte de Sistemas [Systems Art] exhibition ( Buenos Aires: Museo de Arte Moderno, July 1971). His words underscore the [...]ICAA Record ID: 747968 -
Tres aspectos de la pintura argentina actual
1964Guillermo Whitelow writes about how prone the Argentinean artists are to group themselves into three distinct tendencies. In the first group (José A. Fernández Muro, Sarah Grilo, Miguel Ocampo, Kasuya Sakai, Clorindo Testa), he points out they have [...]ICAA Record ID: 763632