Creator: Porter, Liliana, 1941-×
  • [El New York Graphic Workshop comenzó a funcionar en 1964...]
    Castillo, José Guillermo; Porter, Liliana, 1941-; Camnitzer, Luis
    1970
    This text provides a brief description of the aims of the New York Graphic Workshop (NYGW) from the time of its founding in 1964. It states that the works exhibited in the show, The New Graphic Workshop (Caracas: Instituto Nacional de Cultura y [...]
    ICAA Record ID: 777412

  • [La distancia mental que hay entre la representación gráfica...]
    Porter, Liliana, 1941-
    1969
    In this essay, Liliana Porter discusses the work she presented at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas in January 1969, at the exhibition The New York Graphic Workshop. She includes some biographical information and a list of [...]
    ICAA Record ID: 772695

  • Argentinos en el exterior : biografía epistolar de Liliana Porter
    Porter, Liliana, 1941-
    1981
    In this text, Liliana Porter describes and reviews her art career, from her earliest experiences in Mexico City until the present day [1978 [...]
    ICAA Record ID: 777268

  • Contenido : exhibición no. 1
    Porter, Liliana, 1941-
    1969
    This is the mail art that Liliana Porter exhibited at Experiencias 69 I [Visual Practices 69 I] at the Centro de Artes Visuales at the Instituto Torcuato Di Tella (September 5–14, 1969.) Porter’s exhibit consisted of four envelopes, each with its [...]
    ICAA Record ID: 773755

  • La exposición comienza con grabados sobre el tema de La Duquesa de Alba
    Porter, Liliana, 1941-
    1969
    In this essay, written for the catalogue of the exhibition Liliana Porter (Facultad de Arquitectura y Urbanismo [Faculty of Architecture and Planning], Caracas, Venezuela, January 24 – February 9, 1969), the Argentine artist explains the [...]
    ICAA Record ID: 772335

  • Liliana Porter
    Porter, Liliana, 1941-
    1971
    Liliana Porter’s response to the summons to side against the 1971 São Paulo Biennial. In her response, she states that the artist always assumes a position. Thus, participating in this counter-biennial is a way of being aware of the positioning as [...]
    ICAA Record ID: 766168