-
Bienal quando nasce é para todos
1951Fernando Lemos disagrees with most of the critics of the day when he asserts that the growth of the São Paulo Biennial—and of its Brazilian section in particular—should not be curtailed. Due to the large number of participants, “the Brazilian [...]ICAA Record ID: 1110908 -
Desenhos Fernando Lemos
1956This document is the flyer for the solo exhibition of drawings by Fernando Lemos, held at the MAM-SP (Museu de Arte Moderna de São Paulo) in August 1956. It includes this article, in which the artist discusses drawing and its role in art, as well as [...]ICAA Record ID: 1110826 -
O múltiplo é democrático?
1979The article on the collective exhibition named Múltiplos e objetos, presented in August-September 1979 at the gallery Múltipla in São Paulo, turned out to be emblematic on the discussions regarding the “democratization” of art and on “public [...]ICAA Record ID: 1110661 -
Repetição artesanal, o anonimato, urbana e rodoviária
1980Fernando Lemos discusses the “vignettes”—ornamental motifs derived from “classic styles” (Gothic, Renaissance, Baroque, etc.)—in the decorations painted on some of the trucks he sees driving around the city of São Paulo. In this brief [...]ICAA Record ID: 1111428