Creator: Llinás, Julio×
  • [Como señala mi amigo Edouard Jaguer...]
    Brughetti, Romualdo; Llinás, Julio
    1963
    In this prologue to the catalog on the Argentine artists who participated in the VII Biennial of São Paulo, Julio Llinás points out the profusion of abstract or informal works that are found alongside more current international trends. He believes [...]
    ICAA Record ID: 758702

  • [Entre la tradición y la libertad se ubican los artistas argentinos...]
    Brughetti, Romualdo; Llinás, Julio
    1963
    This text presents each of the artists who represented Argentina in the VII Biennial of São Paulo (1963). It briefly describes the characteristics of their work and identifies the variety of visual arts languages and the subtlety that “califica a [...]
    ICAA Record ID: 758678

  • [Roberto Aizenberg, Osvaldo Borda, Victor Chab y Julio H. Silva...]
    Llinás, Julio
    1966
    Julio Llinás states that Roberto Aizenberg, Osvaldo Borda, Victor Chab, and Julio H. Silva are gathered again after ten years in order to restart their dialogue. According to Llinás, their heterodoxy did not imply a formal and irrational [...]
    ICAA Record ID: 762798

  • El corazón de la explosión
    Llinás, Julio
    1958
    Poet Julio Llinás writes about the works of Marta Peluffo (Galería Peluffo, 1958) by analyzing her desperation brought about by her “innermost explosion.” Most of all because it happens at the core of a modern art with its ongoing revolution [...]
    ICAA Record ID: 768996

  • Hacia las grandes fuentes
    Llinás, Julio
    1959
    Toward the end of the 1950s, Julio Llinás defines the current times as ones of total convulsion, which implies the growth of a new state of awareness. He critiques Tachism, calling for an ongoing, always renewed experimentation that is alive and [...]
    ICAA Record ID: 762784