Creator: Oyarzún Robles, Pablo, 1950-×
  • Arte en Chile de veinte, treinta años
    Oyarzún Robles, Pablo, 1950-
    1999
    In this article Pablo Oyarzún provides a critical review of the art produced over the course of three decades. He notes the lack of a tradition that could bear witness to and interpret art production in Chile. From the early twentieth century& [...]
    ICAA Record ID: 745095

  • El día de Díaz
    Oyarzún Robles, Pablo, 1950-
    2003
    "El día de Díaz" is a text written by Pablo Oyarzún on the subject of Biografía, a work by Gonzalo Díaz. Oyarzún provides a detailed description of the piece, a triptych in which each part [...]
    ICAA Record ID: 745133

  • Estética de la sed Lonquén 10 años, diez años después
    Oyarzún Robles, Pablo, 1950-
    2003
    In this essay Pablo Oyarzún, an authority on philosophical matters, discusses Lonquén 10 años (Lonquén 10 Years), the installation by the Chilean artist Gonzalo Díaz, keeping in mind the procedures, relationships, [...]
    ICAA Record ID: 734853

  • La cuna del delfín : Sobre Quadrivium, de Gonzalo Díaz
    Oyarzún Robles, Pablo, 1950-
    1998
    Pablo Oyarzún, the Chilean essayist, discusses Quadrivium, the installation by Gonzalo Díaz. He begins by describing previous installations whose formal designs were also based on the Stations of the Cross and identifies components of [...]
    ICAA Record ID: 735850

  • La tarea de la crítica
    Oyarzún Robles, Pablo, 1950-
    1999
    In this philosophical text Pablo Oyarzún asks: What is art criticism? What is its function? And what are its characteristics? He begins to answer these questions by seeking to define “criticism” as a subjective opinion about a work [...]
    ICAA Record ID: 740548

  • Lectura de escena
    Oyarzún Robles, Pablo, 1950-
    2003
    Pablo Oyarzún wrote this short essay, Lectura de escena (Reading the Scene), about a book by Nelly Richard in which he identifies four main themes: (1) support for the artistic, poetic, and discursive practices that the Escena de Avanzada [...]
    ICAA Record ID: 747293

  • Parpadeo y piedad
    Oyarzún Robles, Pablo, 1950-
    1989
    The essay “Parpadeo y piedad,” which appeared in the catalogue for the exhibition Cirugía plástica (Plastic Surgery), held in Berlin, discusses art in Chile, specifically, the art produced in the wake of the 1973 fascist [...]
    ICAA Record ID: 736077

  • Protocollage de lectura
    Oyarzún Robles, Pablo, 1950-
    1985
    The essayist Pablo Oyarzún discusses the work of Eugenio Dittborn, stitching together a patchwork quilt of quotes and references. He talks about what is “legible” and “illegible” in the Chilean experimental artist&rsquo [...]
    ICAA Record ID: 735197

  • Sobre Virginia Errázuriz : pequeña poética de sus instalaciones
    Oyarzún Robles, Pablo, 1950-
    2003
    Pablo Oyarzún’s short essay “Virginia Errázuriz. Pequeña poética de sus instalaciones” (Virginia Errázuriz. A Brief Poetics of her Installations) was inspired by the installation of Errá [...]
    ICAA Record ID: 744954

  • Todo fuera de contexto : todo fuera de contexto es el efecto de una cita
    Oyarzún Robles, Pablo, 1950-
    1985
    Unable to refer specifically to the works that would be shown at the exhibition about which he was attempting to write, Pablo Oyarzún, the Chilean essayist and an authority on philosophy, discusses the idea involved in the term “context& [...]
    ICAA Record ID: 734699

  • Un cenotafio
    Oyarzún Robles, Pablo, 1950-
    2003
    This is the essayist Pablo Oyarzún’s review of Francisco Brugnoli’s installation Cadáver exquisito (Exquisite Corpse), a reference to the game played by early Surrealists in the 1920s, Le cadavre exquis boira le vin nouveau [...]
    ICAA Record ID: 744945

  • Un fragmento sobre la crítica
    Oyarzún Robles, Pablo, 1950-
    2003
    In this essay Pablo Oyarzún explains that Chile lacks the critical space needed to accommodate a public and autonomous line of argument. He condemns the absence of an institution devoted to the production, circulation, and reception of [...]
    ICAA Record ID: 745333