Creator: Goyburu, Emilio×
  • Cuatro edades de la pintura
    Goyburu, Emilio
    1951
    In this essay, Emilio Goyburu divides Western painting into periods on the basis of its “aesthetic facet.” He defines four “ages” that he envisions as a progression. In its “primitive” age—or genesis—painting acted as a “graphic [...]
    ICAA Record ID: 1150294

  • El color en las diversas artes
    Goyburu, Emilio
    1954
    This article by painter Emilio Goyburu contributes to debates on the meaning of abstraction, specifically in terms of the important role that color plays in the arts. Nature, in Goyburu’s view, strikes us by means of color and, as a result, all art [...]
    ICAA Record ID: 859948

  • Un nuevo monumento en Lima
    Goyburu, Emilio
    1927
    In this article, Emilio Goyburu discusses public sculpture, specifically the monument to be built to aviator Jorge Chávez and the call for submission for it. Goyburu asserts that the jury’s clear lack of criteria is evident in their complete [...]
    ICAA Record ID: 1143291

  • Un nuevo prejuicio (?)
    Goyburu, Emilio
    1951
    Emilio Goyburu opens this text by asserting that the “abstractionist prejudice” of which Abril de Vivero speaks on the pages of this same publication (Plástica) makes references to a form of snobbery inevitable in any movement that brings [...]
    ICAA Record ID: 1150326

  • Vivencias estéticas de la pintura abstracta
    Goyburu, Emilio
    1954
    This essay by Peruvian painter Emilio Goyburu forms part of the debates on the meaning of abstraction on the basis of “aesthetic experience” (Goyburu’s term). For him, aesthetic pleasure is produced through “vital sensations” in response to [...]
    ICAA Record ID: 859970