ICAA Researcher: Sebastián Valenzuela, Fundación AMA, Santiago, Chile.×
  • Claves y constantes definidoras
    Romera, Antonio R., 1908-1975
    The art critic Antonio Romera identifies the uniquely Chilean aspects of Chilean painting in his study of four constants that, in his opinion, are repeated throughout its history: landscape, color, French influence, and character. Similarly, the [...]
    ICAA Record ID: 754547

  • El 'Bodegón' en la obra de Luis Durand (una cuestión de estética fronteriza)
    Romera, Antonio R., 1908-1975
    This is Antonio Romera’s visual review of Luis Durand’s literary work. The first thing he notices is the sensual nature of Durand’s writing; his narrative style creates currents and movements that trace the outlines of objects and [...]
    ICAA Record ID: 773324

  • El comportamiento de la crítica
    Muñoz Zárate, Patricio, 1960-
    In his essay about the vast subject of art criticism in Chile from 1950 to 1973, Patricio Muñoz Zárate highlights the field’s defining moments, milestones, and notable personalities. In a series of subchapters, he sheds light on [...]
    ICAA Record ID: 757179

  • Suspensión y disposición en el trabajo de Cecilia Vicuña
    Mellado, Justo Pastor, 1949-
    In this article, the critic and curator Justo Pastor Mellado reviews SEMI YA [a phonetic pun on the Spanish word for ‘seed’], the exhibition of works by the Chilean artist Cecilia Vicuña at the Galería Gabriela Mistral in [...]
    ICAA Record ID: 754571